Johann Sebastian Bach
Composer from Germany1685, March 21st in Eisenach, Germany - 1750, July 28th in Leipzig, Germany
Videos
View moreYo Yo Ma - Bach Six Cello Suites - BBC Proms 2015
Angelika Kirchschlager - Bach - Erbarme dich, mein Gott
Igor Levit - Bach - Goldberg Variations: Aria
| Usual Name | Johann Sebastian Bach |
| Alternative Spellings | Jean-Sébastien Bach, Jan Sebastian Bach, Joh. Sebast. Bach, G. S. Bach, Johann Sebastian Bach, Joh. Sebas. Bach, Joh. Seb. Bach, Jean S. Bach, ... Bach, Johannes Sebastian Bach, Sebastian Bach, Iogann Sebast'jan Bach, Giovanni Sebastiano Bach, J. S. Bach, Joh.-Seb. Bach, J. S. B., Johann-Sebastian Bach, Jean-Sebastien Bach, Jean Sebastien Bach, Iogann Sebastjan Bach, Johannes S. Bach, Johann Seb. Bach, Johann S. Bach |
| On Wikipedia | Johann_Sebastian_Bach |
| Ensembles |
Thomanerchor
from 1723
to 1750
|
| Relationships |
is the father/mother of
Carl Philipp Emanuel Bach
is the father/mother of Wilhelm Friedemann Bach is the father/mother of Johann Christian Bach |
| Links | RISM person , VIAF |
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Yo Yo Ma - Bach Six Cello Suites - BBC Proms 2015
Yo-Yo Ma plays the entire Six Unaccompanied Suites by Johann Sebastian Bach at the BBC Proms at the Royal Albert Hall on the 5th of September, 2015. He played for nearly three hours. A truly remarkable performance. Hope you all enjoy it! 0:00 Introduction 3:49 Suite I in G Major 22:25 Suite II in D Minor 42:51 Suite III in C Major - with interview and short break 1:13:09 Suite IV in E-Flat Major 1:40:50 Suite V in C Minor 2:08:46 Suite VI in D Major
Angelika Kirchschlager - Bach - Erbarme dich, mein Gott
Johann Sebastian Bach - Erbarme dich, mein Gott (Matthäuspassion) Erbarme dich, mein Gott, um meiner Zähren willen! Schaue hier, Herz und Auge weint vor dir bitterlich. Erbarme dich, mein Gott.
Igor Levit - Bach - Goldberg Variations: Aria
Music video by Igor Levit performing Bach - Goldberg Variations: Aria.(C) 2015 Sony Music Entertainment
Prelude and Fugue No. 1 in C major, BWV 846, from Bach's Well-tempered Clavier, Gulda pianist
Prelude and Fugue No. 1 in C major, BWV 846, from the Well-tempered Clavier by Johann Sebastian Bach. Played by Friedrich Gulda; recorded 1972, MPS-Tonstudio, Villingen, Germany.
J.S.Bach - Prelude and Fugue No. 1 in C major, BWV 846
Prelude and Fugue No. 1 in C major, BWV 846, from the Well-tempered Clavier by Johann Sebastian Bach. Friedrich Gulda 1972.
Bach – Prelude & Fugue No. 1 in C major BWV 846 | WTC Book I
From the New Art Gallery, Walsall, 2000 The Well-Tempered Clavier Book I Andrei Gavrilov - piano Johann Sebastian Bach - Prelude & Fugue No. 1 in C major, BWV 846 Watch other Bach´s Preludes and Fugues of The Well-Tempered Clavier: https://goo.gl/LwM6i4 Subscribe to EuroArts: https://goo.gl/jrui3M The title of Bach's Well-Tempered Clavier refers to the new system of tuning keyboard instruments that had been developed by, amongst others, the Halberstadt organist Andreas Werckmeister (1645-1706), to make it possible to play in all 24 major and minor keys, something which hitherto had been impossible with "mean-tone" tuning. There were, however, several such "well-tempered" tuning in use at that time, and, contrary to earlier assumptions, there is simply no evidence that Bach wrote his two books of preludes and fugues for our modern "equal temperament", which is but one of several possible tunings. Whatever the case, for him the tempered tuning meant that he could use all major and minor keys to present a systematic, state-of-the-art compendium of the fugue form, which was then at the very peak of its development. Intended "both for the use and consumption of the eager-to-learn musical youth and as a special pastime for those already skilled in this discipline", Bach compiled the first part of his Well-Tempered Clavier in 1722; this was near the end of the period he spent in the service of Prince Leopold of Anhalt-Cöthen - an essentially happy time for Bach, but marred by the sudden death of his first wife in 1720. When the second part of The Well-Tempered Clavier was completed in 1744, comprising another 24 fugues together with introductory preludes, Bach had already been Thomaskantor in Leipzig for more than 20 years and the fugue was no longer in vogue. This documental review almost seems to have been an attempt on the great composer's part to halt the march of time. Born in Moscow, Andrei Gavrilov was just eighteen when he won the legendary Tchaikovsky Competition in 1974 and embarked on a meteoric career. By 1980, when the Soviet regime for a time imposed severe restrictions on his movements abroad, he had already appeared in almost every important musical center in the world. After returning to the concert platforms of the Western world in August 1984, he soon established himself as one of the foremost pianists of his generation. His recordings and his musical activities, in general, have brought him many awards.
(BWV 846) Prelude and Fugue in C Major, WTC I | Cory Hall, pianist-composer
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Well-Tempered Clavier - Prelude and Fugue 1 in C major BWV 846 / Sheet Music Piano Tutorial
J.S. Bach - Well-Tempered Clavier - Prelude and Fugue 1 in C major BWV 846 - Sheet Music Tutorial Performed by Kimiko Ishizaka. Download the Open Well-Tempered Clavier: http://music.kimiko-piano.com/album/bach-well-tempered-clavier-book-1 Sheet Music: https://musescore.com/opengoldberg/scores/719631
J. S. Bach Partita No. 2, in D minor.(Hilary Hahn)
Itzhak Perlman, Bach Partita No.2 in D minor BWV 1004
J.S. Bach Partita No.2 in D minor BWV 1004 1. Allemanda 0:00 2. Corrente 4:55 3. Sarabanda 7:58 4. Giga 11:49 5. Ciaccona 15:34 Itzhak Perlman, Violin
Bach - Violin Partita No. 2 in D minor, BWV 1004 {Grumiaux}
Please support my channel on https://Ko-fi.com/bartjebartmans Johann Sebastian Bach (31 March [O.S. 21 March] 1685 – 28 July 1750) was a German composer and musician of the late Baroque period. He is known for instrumental compositions such as the Cello Suites and Brandenburg Concertos; keyboard works such as the Goldberg Variations, The Well-Tempered Clavier and the Toccata and Fugue in D minor; and vocal music such as the St Matthew Passion and the Mass in B minor. Since the 19th-century Bach Revival, he has been generally regarded as one of the greatest composers in the history of Western music. Partita for solo violin No. 2 in D minor, BWV 1004 (1720) 1. Allemande (0:00) 2. Courante (3:12) 3. Sarabande (5:11) 4. Gigue (8:17) 5. Chaconne (11:25) Arthur Grumiaux, violin Description by Michael Jameson [-] Alongside Paganini's 24 Caprices for solo violin and Bach's six cello suites, his Partitas and Sonatas (three apiece) for solo violin stand out among their comparatively few siblings as magnificent music written for an unaccompanied stringed instrument. And while they also represent the zenith of polyphonic writing for a non-keyboard instrument, Bach's sonatas and partitas were also crucially important in the development of violin technique. With their colossal scope, huge technical demands, and musical complexity, and notwithstanding their awesome intellectual intensity, these creations greatly transcended anything that had preceded them, including the Partitas for solo violin by von Westhoff (1696), and various comparable solo works by Biber, Pisendel, and others. It seems most probable that either the Dresden virtuosi Pisendel or Volumier, or even more likely the Cöthen Konzertmeister Spiess, would have been the first players to attempt these exceptionally challenging works, all of which sound as if they were written for an age of instrumental virtuosity that still lay far in the future. The sonatas are restricted to four movements (slow-fast-slow-fast, as with the early sonata da chiesa), one of which is a fugue. The Partitas are generally more extended, and of unorthodox formal design (as perhaps is implied by their more wide-ranging generic title), and by the more exploratory, improvisatory feel of the music even as they consist of sequences of Baroque dances. The awesome and eloquent Partita No. 2 in D minor, BWV 1004, seems for the most part to follow the conventional outline of the Baroque suite, opening with an earnest and purposeful Allemanda unexpectedly free of chordal multiple-stopping. There follow a Corrente and a Sarabanda, whose brief coda furnishes the link with the succeeding Giga. However, this work concludes with the most labyrinthine and intellectually powerful single movement ever devised for an unaccompanied string instrument. This is Bach's famous Chaconne (originally "Ciaccona"), a colossal arched series of 64 stunning variants upon the stark, open-ended four-measure phrase heard at the beginning. Two monumental outer sections in the minor enclose a major-key central episode, and this great structure encompasses every aspect of violin-playing technique and contrapuntal ingenuity that would have been known in Bach's day. The Chaconne, whose duration exceeds 15 minutes (and is thus longer than the rest of the work put together) is often performed as a free-standing movement and has also been widely transcribed for other instruments. Editor: Alfred Dörffel (1821–1905) Publisher Info.: Bach-Gesellschaft Ausgabe, Band 27 Leipzig: Breitkopf und Härtel, 1879. Plate B.W. XXVII. Copyright: Public Domain
Bach - Violin Partita No. 2 in D minor BWV 1004 - Sato | Netherlands Bach Society
‘Sei solo’… you’re on your own? In the days before ‘AutoCorrect’, spelling was mainly a question of feeling, especially in another language. But what if Bach deliberately did not write ‘Sei soli’ above his six violin solos? What if he wanted to warn his soloist before sending them out on stage armed only with a bow, four strings and a few of his most difficult pieces in his head? Recorded on November 28th 2015 at the Oude Dorpskerk, Bunnik. If you want to help us complete All of Bach, please subscribe to our channel http://bit.ly/2vhCeFB or consider donating http://bit.ly/2uZuMj5. For the complete set of Sonatas and partitas for solo violin go to: https://www.youtube.com/playlist?list=PLecKPCyj4yRP8P_v2XXxP85CGaXxs4LWw For the interview with violinist Shunske Sato on Violin Partita in D minor go to https://youtu.be/DeXSXVJMGIs For more information on BWV 1004 and this production go to http://allofbach.com/en/bwv/bwv-1004/ All of Bach is a project of the Netherlands Bach Society / Nederlandse Bachvereniging, offering high-quality film recordings of the works by Johann Sebastian Bach, performed by the Netherlands Bach Society and her guest musicians. Visit our free online treasury for more videos and background material http://allofbach.com/en/. For concert dates and further information go to https://www.bachvereniging.nl/nederlandse-bachvereniging. Shunske Sato, violin 1. Allemande 0:00 2. Courante 5:00 3. Sarabande 7:42 4. Gigue 11:39 5. Chaconne 16:01
MAXIM VENGEROV AND PATRICE LARE - Partita for violin solo No. 2 in D minor BWV 1004 - S. BACH
Partita pour violon solo No. 2 en Ré mineur BWV 1004 Partita for violin solo No. 2 in D minor BWV 1004 - Allemande- Courante- Sarabande- Gigue- Chaconne
Bach: Brandenburg Concerto No. 5 in D major, BWV 1050 (Freiburger Barockorchester)
From the "Spiegelsaal" Castle Cöthen (Schloß Köthen) Freiburger Barockorchester Chapters: 0:00 Bach: Brandenburg Concerto No. 5 in D major, BWV 1050 0:13 I. Allegro 9:11 II. Affettuoso 14:59 III. Allegro Buy the DVD: http://amzn.to/2rhCAcm ** Click here to watch an informative and entertaining audio-visual documentary guide about this Bach's piece: https://youtu.be/aMWbN3nQg0A Subscribe to EuroArts: https://goo.gl/jrui3M Want to learn more about the Brandenburg Concertos? Don't miss this documentary with the internationally acclaimed pianist and Bach expert Robert Levin providing additional knowledge about the Brandenburg Concertos: https://goo.gl/dH2EiQ Soloists: Karl Kaiser: transverse flute / flûte traversière Gottfried von der Goltz: violin / violon Michael Behringer: harpsichord / clavecin Recorded at the Hall of Mirrors, Palace of Cöthen, 23-26 March 2000 Directed by Hans Hadulla, Produced by Isabel Iturriagagoitia Executive Producers: Paul Smaczny & Bernd Hellthaler ** This is an affiliate link Affiliate links are links for which - according to their measurable success - a commission is paid. The products that we advertise here can of course also be purchased elsewhere. The links are solely suggestions for you to see how the product looks like and where it can be obtained.
Bach - Brandenburg Concerto No. 5 in D major BWV 1050 - Sato | Netherlands Bach Society
The Netherlands Bach Society performs the 'Brandenburg' Concerto in D major for All of Bach. Bach himself never went to Amsterdam, and Rembrandt never went to Leipzig or Berlin. However, there were many ties between the Republic of the Netherlands and Bach’s employers. Nowadays, both Rembrandt’s paintings and Bach’s music are regarded as icons of European art, and here they are presented as a unique combination for eye and ear. For this recording, we were guests at the Gallery of Honour at the Rijksmuseum, in Amsterdam. We were invited to come and perform Bach’s unusual ‘Brandenburg' Concerto no. 5 in order to celebrate the loan of an exceptional harpsichord to the museum. For the recording, the original instrument, built by Johannes Ruckers in 1640, was played by harpsichordist Richard Egarr. For more information on BWV 1050 and credits of this production go to https://www.bachvereniging.nl/en/bwv/bwv-1050/ For the complete set of 'Brandenburg' concertos go to https://www.youtube.com/playlist?list=PLecKPCyj4yRPXmmt0yFK3pF2HY8kux3RH For the interview with violinist Shunske Sato and harpsichordist Richard Egarr on 'Brandenburg' Concerto no. 5 go to https://youtu.be/rMKkrhVwZd0 For the short documentary on 'Brandenburg' concertos go to https://youtu.be/vC7L9P8B8JY Recorded for the project All of Bach on May 11th 2018 at the Rijksmuseum, Amsterdam. If you want to help us complete All of Bach, please subscribe to our channel https://bit.ly/2vhCeFB and consider donating https://bit.ly/3J5uprM. All of Bach is a project of the Netherlands Bach Society, with the aim to perform and record all of Bach's works and share them online with the world for free. Visit our online treasury for more videos and background material on https://www.bachvereniging.nl/en/allofbach. For concert dates and tickets go to https://www.bachvereniging.nl/en/concerts. Netherlands Bach Society Shunske Sato, violin and direction Marten Root, traverso Richard Egarr, harpsichordist Harpsichord: Johannes Ruckers, 1640 0:00 Allegro 10:12 Adagio (affettuoso) 15:10 Allegro
Bach: Brandenburg Concerto No. 5 in D Major, BWV 1050
Johann Sebastian Bach (1685 - 1750) Brandenburg Concerto No. 5 in D major for violin, transverse flute, harpsichord, ripieno violins, viola, cello and violone I. Allegro - (0:00) II. Affettuoso - (9:19) III. Allegro - (14:05) Performed by Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) Historically Informed Performance on Period Instruments
Bach: Brandenburg Concerto No. 5 in D major, BWV 1050 (Orchestra Mozart, Claudio Abbado)
From the Teatro Municipale Romolo Valli, Reggio Emilia, 21 April 2007 Compare this performance of the Brandenburg Concertos to the one performed by the Freiburger Barockorchestra: https://goo.gl/92aPsG Buy the Blu-ray: http://amzn.to/2qmj2n7 ** Subscribe to EuroArts: https://goo.gl/jrui3M Orchestra Mozart Claudio Abbado 0:00 I. Allegro 8:53 II. Affettuoso 13:55 III. Allegro Prinicipal Violin - Guiliano Camignola Harpsichord - Ottavio Dantone 1st and 2nd Violins - Raphael Christ, Lorenza Borrani, Yunna Shevchenko, Timoti Fregni, Etienne Abelin, Manuel Kastl, Jana Kuhlmann Violas - Danusha Waskiewicz, Simone Jandl, Behrang Rasskhi, Raphael Sachs Violas da gamba - Rainer Zipperling, Sabina Colonna Preti Cellos - Mario Brunello, Enrico Bronzi, Benoit Grenet Violine - Alois Posch Flute - Jacques Zoon Recorders - Michala Petri, Nikolaj Tarasov Oboes - Victor Aviat, Lucas Macias Navarro, Guido Gualandi Bassoon - Guilhaume Santana Horns - Alessio Allegrini, Jonathan Williams Trumpet - Reinhold Friedrich ** This is an affiliate link Affiliate links are links for which - according to their measurable success - a commission is paid. The products that we advertise here can of course also be purchased elsewhere. The links are solely suggestions for you to see how the product looks like and where it can be obtained.
. S. Bach: Brandenburg Concerto No. 5 in D Major, BWV 1050 • Kaleidoscope Chamber Orchestra
http://kco.la October 29, 2017 First Presbyterian Church in Santa Monica Solo Violin Benjamin Hoffman Flute Mehrdad Gholami Violin Alex Granger Viola Dmitri Yevstifeev Cello Clement Chow Bass Eric Shetzen Harpsichord Irene Kim
Bach, J.S. violin concerto in A minor BWV 1041
Johann Sebastian Bach (1685-1750) Violin concerto in A minor BWV 1041. Solo Part : http://ks4.imslp.info/files/imglnks/usimg/8/80/IMSLP56551-PMLP91892-Bach-BWV1041.ViolinSolo.pdf Movement 1 : Allegro Movement 2 : Andante Movement 3 : Allegro assai BACH VIOLIN CONCERTO'S: BWV 1041 in A minor : http://www.youtube.com/watch?v=A4bUCMV2oCE BWV 1042 in A major : http://www.youtube.com/watch?v=ascdQJ6HGpc BWV 1043 double violin concerto : Mvt1+2 http://www.youtube.com/watch?v=9Wwgn3QYwPE Mvt3 http://www.youtube.com/watch?v=eBRGmwCT0OQ
J.S.Bach: Violin Concerto No.1 BWV.1041 / Stern & Orchestra (1996 Movie Live)
J.S. Bach Violin Concerto in A minor BWV 1041, Gidon Kremer
J.S. Bach Violin Concerto in A minor BWV 1041, Gidon Kremer 1. Allegro 9moderato0 2. Andante 3. Allegro assai Gidon Kremer Violin / Conductor Academy of St. Martin in The Fields
[NYCP] Bach - Violin Concerto No.1 in A minor (David Southorn, violin)
J. S. BACH / Violin Concerto No. 1 in A minor, BWV 1041 - 1. Allegro (00:07) - 2. Andante (03:42) - 3. Allegro assai (9:58) New York Classical Players Dongmin Kim, conductor David Southorn, violin (www.davidsouthorn.com) November 17, 2013 Broadway Presbyterian Church, New York __________ Follow us on: Official Website ► http://nycpmusic.org Instagram ► http://www.instagram.com/nycpmusic Facebook page ► http://www.facebook.com/nycpmusic Youtube channel ► http://www.youtube.com/@nycpmusic NYCP edition rental inquiry ► https://www.nycpmusic.org/music-rental __________ "Exuberant chamber orchestra!" "Admirably dedicated to bringing free music!" - TIMEOUT NEW YORK - NEW YORK CLASSICAL PLAYERS Founded in 2010, New York Classical Players (NYCP) is an ensemble dedicated to the highest standards of artistry, collaboration, and virtuosity. Fueled by the belief that access to musical excellence is an essential human right, NYCP presents all of its concerts free of charge. NYCP is comprised of dynamic young musicians who are launching their professional careers. Graduates of some of the world’s leading conservatories come together as NYCP to share free performances of familiar masterpieces, bold new commissions, and unexpected musical treasures with the public. Each season, thousands of NYCP concertgoers experience both the dynamic power of the orchestral repertoire and the versatile intimacy of chamber performance – without charge. NYCP is under the direction of Founder and Music Director Dongmin Kim, and a committed board of directors guides and supports the organization.
Anne Akiko Meyers Bach Concerto No.1 A minor BWV 1041
Anne performs Bach's Concerto No.1 in A minor with the English Chamber Orchestra, conducted by Steven Mercurio. From her best-selling album, Air: The Bach Album that also includes the Bach Double Concerto where she performed on the 1697 'Ex-Molitor' and 1730 'Royal Spanish' Stradivarius violins. www.anneakikomeyers.com Anne Akiko Meyers is one of the most celebrated violinists embraced around the world today. Possessing a rare ability to connect with audiences from the concert stage, online, in television, and radio broadcasts, Meyers has actively maintained an extensive touring schedule for over 30 years, and regularly performs in recital and as guest soloist with many of the world’s top orchestras. She is a best-selling recording artist who has released over 40 albums and was the top-selling traditional classical instrumental soloist on Billboard’s charts in 2014. Web: http://anneakikomeyers.com Twitter: https://twitter.com/anneakikomeyers Facebook: https://www.facebook.com/anneakikomey... Instagram: https://instagram.com/anneakikomeyers/
J. S. Bach: Orchestral Suite No. 2 in B minor, BWV 1067
Viktória Gárdai - Flute Pannon Philharmonic Orchestra András Vass LIVE RECORDING Kodály Centre, Pécs, 2012 02 04 Sound engineer: László Dobos http://www.andrasvass.com http://www.pfz.hu http://www.kodalykozpont.hu/index.php... The Pannon Philharmonic Orchestra is the owner of the sound and video material. Ouverture Rondeau Sarabande Bourrée I/II Polonaise (Lentement) -- Double Minuet Badinerie
Bach - Orchestral Suite No. 2 in B minor BWV 1067 - Sato | Netherlands Bach Society
From the pompous opening bars all the way through to the frivolous finale, Bach’s Orchestral Suite no. 2 in B minor, performed by the Netherlands Bach Society for All of Bach, is a mouth-watering piece of music. And that applies literally to the flautist, who has to keep proving his worth with no respite whatsoever. Recorded for the project All of Bach on November 30th 2014 at TivoliVredenburg, Utrecht. If you want to help us complete All of Bach, please subscribe to our channel http://bit.ly/2vhCeFB or consider donating http://bit.ly/2uZuMj5. For the interview with violinist Shunske Sato on Orchestral Suite no. 2 in B minor go to https://youtu.be/KqcHfGtB5fk For the interview with flute player Marten Root on BWV 1067 go to https://youtu.be/Sz_9dQycOno For more information on BWV 1067 and this production go to http://allofbach.com/en/bwv/bwv-1067/ All of Bach is a project of the Netherlands Bach Society / Nederlandse Bachvereniging, offering high-quality film recordings of the works by Johann Sebastian Bach, performed by the Netherlands Bach Society and her guest musicians. Visit our free online treasury for more videos and background material http://allofbach.com/en/. For concert dates and further information go to https://www.bachvereniging.nl/nederlandse-bachvereniging. Netherlands Bach Society, Shunske Sato, violin and direction Marten Root, traverso 0:00 Ouverture 6:45 Rondeau 8:55 Sarabande 11:46 Bourrée I & II 13:44 Polonaise 17:13 Menuet 18:35 Badinerie (Battinerie)
ohann Sebastian Bach. Orchestral Suite No. 2 in B minor, BWV 1067
Bach : Suite No. 2 in B Minor, BWV 1067 (complete/full)
♫ Buy “Bach: Suite No. 2” (MP3 album) on the Official Halidon Music Store: https://bit.ly/2K6bU87 🎧 Listen to "Bach: Essential Classics" on Spotify: http://spoti.fi/2nShY9e ▶▶ Order “50 Masterpieces of Classical Music” (3CDs) on Amazon: IT: https://amzn.to/2ntD81I FR: https://amzn.to/2pfYBvL DE: https://amzn.to/2nIidrQ ES: https://amzn.to/2nM8aBU UK: https://amzn.to/2p12vbI USA: https://amzn.to/2Sf3Nt4 CA: https://amzn.to/2RxFidK MEX: https://amzn.to/2FgYmpZ ▶▶ Order “50 Masterpieces of Classical Music” [3CDs] eBay: http://bit.ly/2zgucP8 🔔 Subscribe to our channel: http://bit.ly/YouTubeHalidonMusic 👥 Like us on Facebook: https://www.facebook.com/halidonmusic These tracks are available for sync licensing in web video productions, corporate videos, films, ads and music compilations. For further information and licensing please contact info@halidononline.com Performed by: Orchestra da Camera Fiorentina Conductor: Giuseppe Lanzetta Flute: Andreas Blau Bach: Suite No. 2 in B Minor, BWV 1067 I. Ouverture. Lentamente II. Rondeau ( 07:45 ) III. Sarabande ( 09: 17 ) IV. Bourrée ( 12:18 ) V. Double ( 14:20 ) VI. Minuetto ( 17:49 ) VII. Badinerie ( 19:06 ) Thank you so much for watching this video by Halidon Music channel, we hope you enjoy it! Don't forget to share it and subscribe to our channel http://bit.ly/YouTubeHalidonMusic #classicalmusic #bach #suite All rights reserved
Bach - Orchestral Suite No. 2 in B minor, BWV 1067
The four orchestral suites (called ouvertures by their author), BWV 1066--1069 are four suites by Johann Sebastian Bach. The name ouverture refers only in part to the opening movement in the style of the French overture, in which a majestic opening section in relatively slow dotted-note rhythm in duple meter is followed by a fast fugal section, then rounded off with a short recapitulation in triple meter of the opening music. More broadly, the term was used in Baroque Germany for a suite of dance-pieces in French Baroque style preceded by such an ouverture. This genre was extremely popular in Germany during Bach's day, and he showed far less interest in it than was usual: Robin Stowell writes that "Telemann's 135 surviving examples [represent] only a fraction of those he is known to have written"; Christoph Graupner left 85; and Johann Friedrich Fasch left almost 100. Bach did write several other ouverture (suites) for solo instruments, notably the Cello Suite no. 5, BWV 1011, which also exists in the autograph Lute Suite in G minor, BWV 995, the Keyboard Partita no. 4 in D, BWV 828, and the Overture in the French style, BWV 831 for keyboard. The two keyboard works are among the few Bach published, and he prepared the lute suite for a "Monsieur Schouster," presumably for a fee, so all three may attest to the form's popularity. Scholars believe that Bach did not conceive of the four Orchestral Suites as a set (in the way he conceived of the Brandenburg Concertos), since the sources are various, as detailed below. The source is a partially autograph set of parts (Bach wrote out those for flute and viola) from Leipzig in 1738--39. Ouverture (Metrical sign of opening section is C; metrical sign of fugal section is 2 with a slash through it; metrical sign of ending section, marked Lentement, is 3/4) Rondeau - spelled Rondeaux by Bach (metrical sign is ₵) Sarabande (metrical sign is 3/4), with a canon at the 12th between the flute (plus first violins) and the bass Bourrée I/II (metrical sign is ₵) Polonaise/ Double (metrical sign for both is 3/4); the flute part is marked "Moderato e staccato" and the first violin part "lentement" (slowly) Menuet (metrical sign is 3/4) Badinerie (metrical sign is 2/4). Bach, in the autograph part, spells this "Battinerie". Instrumentation: Solo "[Flute] traversiere" (transverse flute), violin I/II, viola, basso continuo. The Badinerie (literally "jesting" in French; in other works Bach used the Italian word with the same meaning, "Scherzo") has become a show-piece for solo flautists because of its quick pace and difficulty. Joshua Rifkin has argued, based on in-depth analysis of the partially autograph primary sources, that this work is based on an earlier version in A minor in which the solo flute part was scored instead for solo violin.[3] Rifkin demonstrates that notational errors in the surviving parts can best be explained by their having been copied from a model a whole tone lower, and that this solo part would venture below the lowest pitches on the flutes Bach wrote for (the transverse flute, which Bach called flauto traverso or flute traversiere). Rifkin argues that the violin was the most likely option, noting that in writing the word "Traversiere" in the solo part, Bach seems to have fashioned the letter T out of an earlier "V", suggesting that he originally intended to write the word "violin" (the page in question can be viewed here, p. 6)[4] Further, Rifkin notes passages that would have used the violinistic technique of bariolage. Rifkin also suggests that Bach was inspired to write the suite by a similar work by his second cousin Johann Bernhard Bach. Flautist Steven Zohn accepts the argument of an earlier version in A minor, but suggests that the original part may have been playable on flute as well as violin. Oboist Gonzalo X. Ruiz has argued in detail that the solo instrument in the lost original A-minor version was the oboe, and he has recorded it in his own reconstruction of that putative original on a baroque oboe. His case against the violin is that: the range is "curiously limited" for that instrument, "avoiding the G string almost entirely," and that the supposed violin solo would at times be lower in pitch than the first violin part, something that is almost unheard of in dedicated violin concertos. By contrast, "the range is exactly the range of Bach's oboes"; scoring the solo oboe occasionally lower than the first violin was typical Baroque practice, as the oboe still comes through to the ear; and the "figurations are very similar to those found in many oboe works of the period." Free video background: http://www.free-video-footage.com Creative Commons license: Public Domain.
J. S. Bach - "Jesus bleibet meine Freude" BWV 147
Johann Sebastian Bach (1685 - 1750) Chorale "Jesus, bleibet meine Freude" from the Cantata "Herz und Mund und Tat und Leben" - mov. X, BWV 147 The Cantata BWV 147 was written in Leipzig for the Visitation of the Blessed Virgin Mary, and was first performed on 2 July 1723. It was written for trumpet, two oboes, bassoon, two violins, viola, basso continuo, and a standard four-part choir of soprano, alto, tenor, and basso. It comprises ten movements. Lyrics for mov. X: ------------------ GERMAN (original) "Jesus bleibet meine Freude, Meines Herzens Trost und Saft, Jesus wehret allem Leide, Er ist meines Lebens Kraft, Meiner Augen Lust und Sonne, Meiner Seele Schatz und Wonne; Darum lass ich Jesum nicht Aus dem Herzen und Gesicht." ENGLISH (original) "Jesus will always be my joy, My heart's comfort and essence, Jesus is there through all suffering, He is my life's strength, The desire and sunshine of my eyes, My soul's treasure and bliss; Therefore I will never let Jesus go, Neither from my heart nor from my face. " Free version on Musopen.org: https://musopen.org/music/790/johann-sebastian-bach/jesus-bleibet-meine-freude-bwv147/ Musopen is a non-profit dedicated to making classical music free and without copyrights, and we're trying to draw attention to all the great music we have for free, so people don't need to search Google and pay someone for what should be public domain (free).
Jesus bleibet meine Freude - Bel Canto Choir Vilnius
Live by Bel Canto Choir Vilnius (July 2013). Buy our music on: iTunes:https://itunes.apple.com/us/artist/bel-canto-choir-vilnius/id704827966 Amazon: http://www.amazon.com/s/ref=ntt_srch_drd_B00F4ZGJNI?ie=UTF8&field-keywords=Bel%20Canto%20Choir%20Vilnius&index=digital-music&search-type=ss Chorale "Jesus bleibet meine Freude" from the cantata "Herz und Mund und Tat und Leben" BWV 147. Johann Sebastian Bach. Live by Bel Canto Choir Vilnius, featuring soloist Ieva Prudnikovaitė, the violinist Artūras Šilalė and the pianist Artūras Anusauskas. From the Bel Canto Choir Vilnius special Concert and DVD/CD, entitled "Wake up, Europe. The Night is over...!". Live from St. Catherine Church in Vilnius, Lithuania on July 5, 2013. The Concert was organized in partnership with European Commission Representation in Lithuania, and was dedicated to Lithuania's first Presidency of the Council of the European Union. For more information on the Choir, please visit: http://www.chorasbelcanto.lt Credits: Arturas Dambrauskas (Artistic Director of the Concert and Chief Conductor at Bel Canto Choir Vilnius); Audrius Valatkevicius (Executive Producer); Vytautas Drazdauskas (Video Producer at ARTBOX production house); Sarunas Burza (Director of Photography); Mykolas Leckas (Lightening Design); Jonas Juozapaitis (Video Editor at VRS WPI Vilnius) and Vilius Keras (Recording Director). Choralas "Jesus bleibet meine Freude" iš kantatos "Herz und Mund und Tat und Leben" BWV 147. Johann Sebastian Bach. Atlieka choras "Bel Canto", solistė Ieva Prudnikovaitė, smuikininkas Artūras Šilalė ir pianistas Artūras Anusauskas. Gyvai iš choro "Bel Canto" koncerto "Pabusk, Europa. Naktis jau baigiasi...!". Choro "Bel Canto" koncertas, išleistas DVD/CD formatais, pristato choro "Bel Canto" ir draugų specialų koncertą, organizuotą kartu su Europos Komisijos atstovybe Lietuvoje ir skirtą pirmajam Lietuvos pirmininkavimui Europos Sąjungos Tarybai. Koncertas nufilmuotas ir įrašytas gyvai Šv. Kotrynos bažnyčioje Vilniuje 2013 m. liepos 5 d. Daugiau informacijos apie chorą: http://www.chorasbelcanto.lt Kūrybinė grupė: Artūras Dambrauskas (Koncerto Meno vadovas, choro „Bel Canto" meno vadovas ir vyriausias dirigentas); Audrius Valatkevičius (Vyriausias prodiuseris); Vytautas Drazdauskas (Video prodiuseris, ARTBOX prodiuserių kompanija); Šarūnas Burža (Vyriausias operatorius); Mykolas Lėckas (Šviesų dailininkas); Jonas Juozapaitis (Montažo režisierius, VRS WPI Vilnius reklamos agentūra); Vilius Keras (Garso režisierius).
J S Bach Jesus bleibet meine Freude BWV 147 Ton Koopman 480p
J. S. Bach: "Jesus bleibet meine Freude" - chorale from Cantata BWV 147 "Herz und Mund"
Pannon Philharmonic Orchestra Pannon Philharmonic Festival Choir (Chorus masters: László Dobos and András Vass) András Vass LIVE RECORDING Kodály Centre, Pécs, 2016 03 24 Sound engineer: László Dobos http://www.andrasvass.com http://www.pfz.hu http://www.kodalykozpont.hu/index.php... The Pannon Philharmonic Orchestra is the owner of the sound and video material.
Bach Cantata BWV 147 10 - Chorale - Jesu bleibet meine Freude - Harnoncourt
Bach Messe h-moll BWV 232 Mass B minor Sir John Eliot Gardiner
OLD VERSION! Bach - Mass in B minor BWV 232 - Van Veldhoven | Netherlands Bach Society
For the improved version of this recording please visit: https://youtu.be/3FLbiDrn8IE Sublime, extreme and all-embracing… only superlatives will do to describe Bach’s Mass in B minor, the 'Hohe Messe', performed by the Netherlands Bach Society for All of Bach. In between an awe-inspiring Kyrie and the jubilant final Dona nobis pacem, there are nine completely unique arias and duets, fourteen impressive ensemble sections for four, five, six and even eight voices, a broad spectrum of instrumental solos, and an incredible variety of styles. Recorded for the project All of Bach on December 15th 2016 at the Grote Kerk, Naarden. If you want to help us complete All of Bach, please subscribe to our channel http://bit.ly/2vhCeFB or consider donating http://bit.ly/2uZuMj5. For the interview with musicians from the Netherlands Bach Society on the Mass in B minor go to https://www.youtube.com/watch?v=QU9596vrep8 For more information on BWV 232 and this production go to http://allofbach.com/en/bwv/bwv-232/ All of Bach is a project of the Netherlands Bach Society / Nederlandse Bachvereniging, offering high-quality film recordings of the works by Johann Sebastian Bach, performed by the Netherlands Bach Society and her guest musicians. Visit our free online treasury for more videos and background material http://allofbach.com/en/. For concert dates and further information go to https://www.bachvereniging.nl/nederlandse-bachvereniging. Jos van Veldhoven, conductor Hana Blažíková, soprano 1 Anna Reinhold, soprano 2 David Erler, alto Thomas Hobbs, tenor Peter Harvey, bass
J.S.Bach - Mass in B minor BWV 232
Johann Sebastian Bach (1685-1750). Mass in B minor BWV 232. Misa en Si menor BWV 232. Jennifer Smith, Soprano - Michael Chance, Counter-tenor Nico van der Meel, Tenor - Harry van der Kamp, Bass Netherlands Chamber Choir Orchestra Of The 18th Century Frans Brüggen MISSA Coro, a 5 Kyrie eleison Duetto (Soprano I, II) Christe eleison Coro, a 4 Kyrie eleison GLORIA Coro, a 5 Gloria in excelsis Deo Coro, a 5 Et in terra pax Aria (Soprano II) Laudamus te Coro, a 4 Gratias agimus tibi Duetto (Soprano I, Tenore) Domine Deus Coro, a 4 Qui tollis peccata mundi Aria (Alto) Qui sedes ad dexteram Patris Aria (Bass) Quoniam tu solus sanctus Coro, a 5 Cum Sancto Spiritu SYMBOLUM NICENUM (Credo) Coro, a 5 (Credo in unum Deum) Patrem omnipotentem Duetto (Soprano I, Alto) Et in unum Dominum Coro, a 4 Et incarnatus est Coro, a 4 Crucifixus Coro, a 5 Et resurrexit Coro, a 5 Confiteor unum baptisma Coro, a 5 Et expecto resurrectionem SANCTUS Coro, a 6 Sanctus OSANNA, BENEDICTUS, AGNUS DEI & DONA NOBIS PACEM Osanna in excelsis Benedictus Osanna in excelsis Aria (Alto) Agnus Dei Coro, a 4 Dona nobis pacem On period instruments Live recording *Imagen del vídeo: La Misa de Bolsena, pintura al fresco de Rafael Sancio (1483-1520).
J. S. Bach: Mass in B minor (Full Album)
Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer, Google Play): https://brilliant-classics.lnk.to/BachMassB Physical purchase: http://www.brilliantclassics.com/articles/j/js-bach-mass-in-b-minor-1/ Facebook page: https://www.facebook.com/brilliantclassics/ Artist: RIAS Kammerchor, Akademie fur Alte Musik Berlin, René Jacobs (conductor) Johann Sebastian Bach’s Mass in B minor is regarded by many as one of the supreme achievements of Western classical music. Even before its first complete performance, the Swiss music historian and publisher Hans Georg Nägeli described it as the “greatest musical masterpiece of all times and nations”. Many scholars believe that, along with the Art of Fugue and the Musical Offering, the work presents a summation of Bach’s musicianship as well as the most glorious presentation of the composer’s deeply held religious beliefs. Much of the Mass gave new form to vocal music that Bach had composed throughout his career, some of which was not from sacred sources (a point of contention for Leipzig churchgoers). The Kyrie and Gloria (known as the “Missa”) had been written as an application for the post of court composer at Dresden. The remaining movements, the Sanctus, Benedictus and Agnus Dei, turn the “Missa” into a “Missa tota”: the full setting of the Ordinary of the Mass. In the Kyrie, Bach explores three different forms of musical expression in an impassioned entreaty for God’s mercy. He brings in trumpets and drums to sing the praises of the Lord in the Gloria, Credo and Sanctus, and, as so often before, saves one of his most exquisite and poignant musical phrases to express the idea of peace in the ‘et in terra pax’. The dramatic contrast forged between the ‘Crucifixus’ and ‘Et resurrexit’ movements of the Credo serve as a dramatic representation of the Christian statement of belief, and the lamenting Agnus Dei aria gives way to a exultant chorus of ‘Dona nobis pacem’ (Grant us thy peace), bringing the vast score to its conclusion. René Jacobs directs the Akademie für Alte Musik Berlin in this reading, which was described as “Spacious and intimate … a compelling performance” by the BBC Music Magazine following its first release. The Reissue of one of the finest recordings of Bach’s “Hohe Messe’! This “compelling performance..spacious and intimate” (Gramophone) boasts of a line‐up of famous soloists: Christoph Prégardien, Matthias Goerne, Bernarda Fink and Hillevi Martinpelto, singers of world renown who have amply won their spurs in Early Music. René Jacobs and his Akademie für Alte Musik Berlin and the Rias Kammerchor count among the best (if not THE best..) of Baroque ensembles and choirs around the world. 00:00:00 Mass in B Minor BWV 232, Pt. 1: I. Chorus. Kyrie eleison (A 5) 00:10:10 Mass in B Minor BWV 232, Pt. 1: II. Duet. Christe eleison (Two Sopranos) 00:15:32 Mass in B Minor BWV 232, Pt. 1: III. Chorus. Kyrie eleison (A 4) 00:19:48 Mass in B Minor BWV 232, Pt. 1: IV. Chorus. Gloria in excelsis Deo (A 5) 00:21:37 Mass in B Minor BWV 232, Pt. 1: V. Chorus. Et in terra pax hominibus (A 5) 00:28:18 Mass in B Minor BWV 232, Pt. 1: VI. Aria. Laudamus te (Soprano II) 00:32:35 Mass in B Minor BWV 232, Pt. 1: VII. Chorus. Gratias agimus tibi (A 4) 00:35:08 Mass in B Minor BWV 232, Pt. 1: VIII. Duet Domine Deus (Soprano I, Tenor) 00:40:37 Mass in B Minor BWV 232, Pt. 1: IX. Chorus. Qui tollis peccata mundi (A 4, Soloists) 00:43:07 Mass in B Minor BWV 232, Pt. 1: X. Aria. Qui sedes ad dexteram Patris (Alto) 00:47:22 Mass in B Minor BWV 232, Pt. 1: XI. Aria. Quoniam tu solus Sanctus (Bass II) 00:51:59 Mass in B Minor BWV 232, Pt. 1: XII. Chorus. Cum Sancto Spiritu (A 5) 00:55:48 Mass in B Minor BWV 232, Pt. 2: I. Chorus. Credo in unum Deum (A 5) 00:58:30 Mass in B Minor BWV 232, Pt. 2: II. Chorus. Patrem omnipotentem (A 4) 01:00:32 Mass in B Minor BWV 232, Pt. 2: III. Duet. Et in unum Dominum (Soprano I, Alto) 01:05:31 Mass in B Minor BWV 232, Pt. 2: IV. Chorus & Soloists. Et incarnatus est (A 5) 01:08:08 Mass in B Minor BWV 232, Pt. 2: V. Chorus. Crucifixus etiam pro nobis (A 4) 01:11:25 Mass in B Minor BWV 232, Pt. 2: VI. Chorus & Soloists. Et resurrexit tertia die (A 5) 01:15:16 Mass in B Minor BWV 232, Pt. 2: VII. Aria. Et in Spiritum Sanctum (Bass) 01:20:13 Mass in B Minor BWV 232, Pt. 2: VIII. Chorus. Confiteor unum baptisma etiarn pro nobis (A 5) 01:25:18 Mass in B Minor BWV 232, Pt. 2: IX. Chorus. Et expecto resurrectionem (A 5) 01:27:24 Mass in B Minor BWV 232, Pt. 3: Chorus. Sanctus (A 6) 01:32:41 Mass in B Minor BWV 232, Pt. 4: I. Chorus. Osanna in excelsis (A 8) 01:35:15 Mass in B Minor BWV 232, Pt. 4: II. Aria. Benedictus (Tenor) 01:39:31 Mass in B Minor BWV 232, Pt. 4: III. Chorus. Osanna in excelsis (A 8) 01:42:05 Mass in B Minor BWV 232, Pt. 4: IV. Aria. Agnus Dei (Soprano II) 01:47:03 Mass in B Minor BWV 232, Pt. 4: V. Chorus. Dona nobis pacem (A 4)
Bach - Mass in B minor (Proms 2012)
Prom 26: Bach -- Mass in B minor Johann Sebastian Bach - Mass in B minor Joélle Harvey soprano Carolyn Sampson soprano Iestyn Davies counter-tenor Ed Lyon tenor Matthew Rose bass Choir of the English Concert The English Concert Harry Bicket conductor Royal Albert Hall 2 August 2012 0:00:07 - Kyrie eleison 0:10:33 - Christe eleison 0:15:20 - Kyrie eleison 0:19:06 - Gloria in excelsis Deo 0:25:35 - Laudamus te 0:29:40 - Gratias agimus tibi