The tenor aria has been compared to movements from both the French Suites and the Fifth English Suite. It opens with a string ritornello doubled by oboe; the two parts move into counterpoint after the tenor enters. Formally, the movement has an extended two-part A section before moving to a B section remarkable for its emphasis on instrumental arpeggiation.
| Librettist | (sinfonia based on a lost violin concerto (see BWV 1052R)) |
| Date of composition | 1728 |
| Premiered | 1728, October 17th in Leipzig, Germany |
| Dedicated to | 21st Sunday after Trinity |
| Type | Sacred Cantata |
| Tonality | D Minor |
| Catalogue | BWV 188 |
| Spoken language | German |
| Instruments |
4x
Voice
Chorus/Choir Orchestra |
| Links | |
| Autotranslations beta |
Jean-Sébastien Bach: Ich habe meine Zuversicht en ré mineur, BWV 188 Johann Sebastian Bach: Ich habe meine Zuversicht in re minore, BWV 188 Johann Sebastian Bach: Ich habe meine Zuversicht d-moll, BWV 188 |
No releases found for this piece.