Bach composed the cantata in his second year in Leipzig as part of his second annual cycle of chorale cantata for the 15th Sunday after Trinity and first performed it on 17 September 1724. The prescribed readings for the Sunday were from the Epistle to the Galatians, Paul's admonition to "walk in the Spirit" (Galatians 5:25–6:10), and from the Gospel of Matthew, from the Sermon on the Mount, the demand not to worry about material needs, but to seek God's kingdom first (Matthew 6:23–34). The cantata text is based on the chorale "Was Gott tut, das ist wohlgetan" (1674) by Samuel Rodigast, which is generally related to the Gospel. Bach used the chorale in several other cantatas, especially later in another chorale cantata, Was Gott tut, das ist wohlgetan, BWV 100. All six stanzas begin with the same line. An unknown author kept the text of the first and last stanza, but paraphrased the inner four stanzas to as many movements, even keeping some of the rhymes in movement 2. In movement 4, he refers to the Gospel, paraphrasing the last verse to "Even if every day has its particular trouble". He introduced references to the cross twice in movement 5, stressing the suffering of Jesus and his followers.

Librettist Samuel Rodigast (1649-1708) (Nos.1, 6) Anonymous (Nos.2-5)
Date of composition 1724
Premiered 1724, September 17th in Leipzig, Germany
First published 1875 (BGA)
Type Sacred Cantata
Tonality G Major
Catalogue BWV 99
Spoken language German
Instruments 4x Voice
Chorus/Choir
Orchestra
Links
Autotranslations beta Jean-Sébastien Bach: Was Gott tut, das ist Wohlgethan en sol majeur, BWV 99
Johann Sebastian Bach: Was Gott tut, das ist Wohlgethan in sol maggiore, BWV 99
Johann Sebastian Bach: Was Gott tut, das ist Wohlgethan G-dur, BWV 99