The work appears to have been commissioned as a funeral cantata for Johann Christian von Ponickau (1652-1726), a Saxon chamberlain. Picander, Bach's librettist, clearly linked the cantata to Ponickau, publishing an extended funeral ode on his death, followed by the text of the cantata. The first known performance was at a memorial service for Ponickau on February 6, 1727 in the church of his home village, Pomßen (20 km from Leipzig). The event is quite well documented in that there a printed commemoration sermon giving some information about the music performed, which included a second Bach cantata, now lost (Cantata BWV Anh. 209). We do not know if Bach was present, although some writers assume so.

Librettist (based on BWV 157a)
Date of composition 1728
Premiered 1727, February 6th
Dedicated to Feast of Purification of Mary
Type Sacred Cantata
Tonality B Minor
Catalogue BWV 157
Spoken language German
Instruments 2x Voice
Chorus/Choir
Orchestra
Links
Autotranslations beta Jean-Sébastien Bach: Ich lasse dich nicht, du segnest mich denn! en si mineur, BWV 157
Johann Sebastian Bach: Ich lasse dich nicht, du segnest mich denn! in si minore, BWV 157
Johann Sebastian Bach: Ich lasse dich nicht, du segnest mich denn! h-moll, BWV 157