In his fourth year as Thomaskantor in Leipzig, Bach performed 18 cantatas composed by his relative Johann Ludwig Bach, a court musician in Meiningen. He then set some of the texts himself, including this cantata, written probably by Ernst Ludwig, Duke of Saxe-Meiningen. They follow a pattern: seven movements are divided in two parts, both beginning with biblical quotations, Part I from the Old Testament, Part II from the New Testament.
| Librettist | Ernst Ludwig (Duke of Saxe-Meiningen) |
| Date of composition | 1726 in Leipzig, Germany |
| First published | 1852 in Leipzig, Germany |
| Type | Cantata |
| Tonality | A Major |
| Catalogue | BWV 17 |
| Approx. duration | 19 minutes |
| Spoken language | German |
| Instruments |
Chorus/Choir
Voice (Soprano) Voice (Alto) Voice (Tenor) Voice (Bass) Strings Continuo 2x Oboe |
| Autotranslations beta |
Jean-Sébastien Bach: Wer Dank opfert, der preiset mich en la majeur, BWV 17 ""He who offers thanks praises Me"" Johann Sebastian Bach: Wer Dank opfert, der preiset mich in la maggiore, BWV 17 ""He who offers thanks praises Me"" Johann Sebastian Bach: Wer Dank opfert, der preiset mich A-dur, BWV 17 ""He who offers thanks praises Me"" |
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