The cantata text was provided by Erdmann Neumeister, who quoted the Book of Revelation and framed his work by two hymn stanzas, the beginning of Martin Luther's "Nun komm, der Heiden Heiland", the main hymn for Advent with a melody based on Medieval chant, and the end from Philipp Nicolai's "Wie schön leuchtet der Morgenstern". The librettist quoted developed his thoughts like a sermon. Bach structured the cantata in six movements, beginning with a chorale fantasia, followed by a series of alternating recitatives and arias, and concluded by a four-part chorale. He scored it for three vocal soloists (soprano, tenor and bass), strings and continuo. Bach led the first performance on 2 December 1714. As Thomaskantor, director of music of the main churches of Leipzig, he performed the cantata again on 28 November 1723.
Librettist | Erdmann Neumeister |
Date of composition | 1714 in Weimar, Germany |
First published | 1868 in Leipzig, Germany |
Type | Cantata |
Catalogue | BWV 61 |
Approx. duration | 18 minutes |
Spoken language | German |
Instruments |
Voice (Soprano)
Voice (Tenor) Voice (Bass) Chorus/Choir Strings Continuo Bassoon |
Autotranslations beta |
Jean-Sébastien Bach: Nun komm, der Heiden Heiland, BWV 61 ""Now come, Saviour of the Gentiles"" Johann Sebastian Bach: Nun komm, der Heiden Heiland, BWV 61 ""Now come, Saviour of the Gentiles"" Johann Sebastian Bach: Nun komm, der Heiden Heiland, BWV 61 ""Now come, Saviour of the Gentiles"" |