The cantata of Bach's third annual cycle in Leipzig was written for the tenth Sunday after Trinity. The prescribed readings for the Sunday were from the First Epistle to the Corinthians, different gifts, but one spirit (1 Corinthians 12:1–11), and from the Gospel of Luke, Jesus announcing the destruction of Jerusalem and cleansing of the Temple (Luke 19:41–48). The words of the cantata are only generally connected to the readings, asking the soul to return immediately to God's ways. Two movements are based on Bible words, the opening chorus on Jeremiah 5:3, movement 4 on Romans 2:4–5. The cantata is closed by verses 6 and 7 of the hymn "So wahr ich lebe, spricht dein Gott" by Johann Heermann (1630), sung on the melody of Martin Luther's "Vater unser im Himmelreich" based on the Lord's Prayer. The words of the free poetry have been attributed to different authors: C.S. Terry suggests Christian Weiss Sr, Werner Neumann suggests Christiana Mariana von Ziegler, and Walther Blankenburg suggests Christoph Helm.
Librettist | From the Johann Ludwig Bach texts (partly re-used in BWV 233, BWV 235) |
Date of composition | 1726 |
Premiered | 1726, August 25th in Leipzig, Germany |
Dedicated to | 10th Sunday after Trinity |
Type | Sacred Cantata |
Tonality | G Minor |
Catalogue | BWV 102 |
Instruments |
3x
Voice
Chorus/Choir Orchestra |
Links | |
Autotranslations beta |
Jean-Sébastien Bach: Herr, deine Augen sehen nach dem Glauben en sol mineur, BWV 102 Johann Sebastian Bach: Herr, deine Augen sehen nach dem Glauben in sol minore, BWV 102 Johann Sebastian Bach: Herr, deine Augen sehen nach dem Glauben g-moll, BWV 102 |