The cantata is based upon the hymn "Ach wie flüchtig, ach wie nichtig", versed and composed by Michael Franck in 1652. The tune was later edited by Johann Crüger. It is the only time Bach used this hymn, except BWV 644 (Orgelbüchlein). Its theme, the transience of human life, is the only connection to the prescribed gospel reading. The first and last stanza are used unchanged in both text and tune: the former is treated as a chorale fantasia, the latter as a four-part closing chorale. An unknown librettist paraphrased the inner stanzas as arias and recitatives. Bach scored the cantata for four vocal soloists, a four-part choir, and a Baroque instrumental ensemble of horn, flute, three oboes, strings and continuo.

Original Name Ach wie flüchtig, ach wie nichtig
Librettist Michael Franck (1609-1677), chorale
Date of composition 1724
Premiered 1724, November 19th in Leipzig, Germany
Dedicated to 24th Sunday after Trinity
Type Sacred Cantata
Tonality A Minor
Catalogue BWV 26
Spoken language German
Instruments 4x Voice
Chorus/Choir
Orchestra
Links
Autotranslations beta Jean-Sébastien Bach: Ah, how fleeting, ah how insignificant en la mineur, BWV 26
Johann Sebastian Bach: Ah, how fleeting, ah how insignificant in la minore, BWV 26
Johann Sebastian Bach: Ah, how fleeting, ah how insignificant a-moll, BWV 26