An unknown librettist drew mainly from Psalm 146 and from Jakob Ebert's hymn "Du Friedefürst, Herr Jesu Christ" to develop seven movements, supplying only two of the movements himself. The text assembly is similar to Bach's early cantatas. Bach's authorship is doubted because the cantata has several features unusual for Bach's later cantatas: it is the only Bach cantata to combine three corni da caccia with timpani. The cantata is in seven movements which combine the three major text sources: psalm, hymn and contemporary poetry. The opening chorus is based on a psalm verse, followed by the first hymn stanza and another psalm verse as a recitative. An aria on poetry is followed by a third psalm verse as an aria. It is followed by another aria on poetry, which simultaneously quotes the hymn tune instrumentally. The last movement combines elements of a chorale fantasia on the third stanza of the hymn, with vivid counterpoint of "Hallelujah" which closes the psalm.

Librettist Psalm CXLVI:1, 5, 10 (Nos.1, 3, 5) Jakob Ebert (Nos.2, 7) Anonymous (Nos.4, 6) (Bach's authorship uncertain)
Date of composition 1714 (1708-1714)
First published 1884 (BGA)
Dedicated to Christ's Circumcision (New Year's Day)
Type Sacred Cantata
Tonality B-flat Major
Catalogue BWV 143
Instruments 3x Voice
Chorus/Choir
Orchestra
Links
Autotranslations beta Jean-Sébastien Bach: Lobe den Herrn, meine Seele en si bémol majeur, BWV 143
Johann Sebastian Bach: Lobe den Herrn, meine Seele in si bemolle maggiore, BWV 143
Johann Sebastian Bach: Lobe den Herrn, meine Seele B-dur, BWV 143