The opening chorus is a gapped chorale setting of the tune. The alto, tenor, and bass voices sing free counterpoint, while the sopranos sing the chorale unadorned in long notes. Philipp Spitta described the sound of this movement as a "church-yard full of flowers in the springtime". The setting has a "popular" sound because of the use of 12/8 time and the unique nature of the accompaniment figures: plucked arpeggios, bell tones, and "sinuous" or "lazy" patterns.
| Librettist | Caspar Neumann |
| Date of composition | 1724 in Leipzig, Germany |
| First published | 1851 in Leipzig, Germany |
| Type | Cantata |
| Tonality | E Major |
| Catalogue | BWV 8 |
| Approx. duration | 18 minutes |
| Instruments |
Voice (Soprano)
Voice (Alto) Voice (Tenor) Voice (Bass) Chorus/Choir Transverse flute Oboe d'amore Strings Continuo Horn |
| Autotranslations beta |
Jean-Sébastien Bach: Liebster Gott, wenn werd ich sterben? en mi majeur, BWV 8 ""Dearest God, when will I die?"" Johann Sebastian Bach: Liebster Gott, wenn werd ich sterben? in mi maggiore, BWV 8 ""Dearest God, when will I die?"" Johann Sebastian Bach: Liebster Gott, wenn werd ich sterben? E-dur, BWV 8 ""Dearest God, when will I die?"" |