Bach composed the cantata in Leipzig in his second annual cycle for the fifth Sunday after Easter, called Rogate. The prescribed readings for the Sunday were from the Epistle of James, "doers of the word, not only listeners" (James 1:22–27) and from the Gospel of John, from the farewell discourses of Jesus, "prayers will be fulfilled" (John 16:23–30). In his second year Bach had composed chorale cantatas between the first Sunday after Trinity and Palm Sunday, but for Easter returned to cantatas on more varied texts, possibly because he lost his librettist. The cantata is the third of nine for the period between Easter and Pentecost based on texts of Christiana Mariana von Ziegler. Her cantatas for the period deal with "the understanding of Jesus' suffering within the context of victory and love, increasingly articulating how the tribulation of the world is overcome", according to Eric Chafe.

Librettist John 16: 24 (No.1) Christiana Mariana von Ziegler (1695-1760) (Nos.2-4, 6) John 16: 33 (No.5) Heinrich Müller (1631-1675) (No.7)
Date of composition 1725
Premiered 1725, May 6th in Leipzig, Germany
First published 1872 (BGA)
Dedicated to 5th Sunday after Easter (Rogate)
Type Sacred Cantata
Tonality D Minor
Catalogue BWV 87
Instruments 3x Voice
Chorus/Choir
Orchestra
Links
Autotranslations beta Jean-Sébastien Bach: Bisher habt ihr nichts gebeten in meinem Namen en ré mineur, BWV 87
Johann Sebastian Bach: Bisher habt ihr nichts gebeten in meinem Namen in re minore, BWV 87
Johann Sebastian Bach: Bisher habt ihr nichts gebeten in meinem Namen d-moll, BWV 87