The text was written by Georg Christian Lehms and published in Darmstadt in 1711 in the collection Gottgefälliges Kirchen-Opffer, on the general topic of a looking for redemption. The librettist wrote a series of alternating recitatives and arias, and included as movement 6 of 8 the third stanza of Johann Heermann's hymn "Wo soll ich fliehen hin". It is not known when Bach composed the work, but he performed it as part of his monthly cantata productions on the eleventh Sunday after Trinity, 12 August 1714. The solo voice is accompanied by a chamber orchestra of oboe, strings and continuo. The singer expresses in a style similar to Baroque opera the dramatic development from feeling like a "monster in God's eyes" to being forgiven. Bach revised the work for later performances, leading to three different editions in the Neue Bach-Ausgabe.

Librettist Georg Christian Lehms (movements 1 to 5) Johann Heermann (1585-1647) (movement 6)
Date of composition 1714 (1714 (ca.) in Weimar)
Premiered 1714, July 12th in Weimar, Germany
First published 1912 (BGA, supplement)
Dedicated to 11th Sunday after Trinity
Type Sacred Cantata
Tonality C Minor
Catalogue BWV 199
Spoken language German
Instruments Voice (Soprano)
Oboe
Strings
Continuo
Links
Autotranslations beta Jean-Sébastien Bach: Mein Herze schwimmt im Blut en do mineur, BWV 199
Johann Sebastian Bach: Mein Herze schwimmt im Blut in do minore, BWV 199
Johann Sebastian Bach: Mein Herze schwimmt im Blut c-moll, BWV 199