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Berlioz - Symphonie Fantastique - A Ball

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H. Berlioz: Sinfonía Fantástica Op. 14 II - Un bal. Sheet Music

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Hector Berlioz - Symphonie fantastique (1830) - II. Au bal

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Usual Name Hector Berlioz
Alternative Spellings Hektor Berlioz, Ettore Berlioz, H. Berlioz, Louis-Hector Berlioz
On Wikipedia Hector_Berlioz
Dedicated pieces Franz Liszt: Eine Faust-Symphonie in drei Charakterbildern nach Johann Wolfgang von Goethe, S. 108 "Faust Symphony"
Links RISM personVIAFGND
Title Subname Catalogue Key Year Type
Fantastical Symphony: An Episode in the Life of an Artist, in Five Parts H 48 1830 Program Symphony
Summer Nights H 81 1838 Song(s)
The Trojans H 133 1858 Opera
Romeo and Juliet Symphonie dramatique avec chœurs (Dramatic symphony) H 79 B Minor 1839 Symphony
Grand Funeral and Triumphal Symphony H 80 1840 Symphony
Les francs-juges Grande Ouverture des Francs-Juges H 23D 1826 Overture
Waverley: Grand Overture H 26 1828 Overture
King Lear H 53 1831 Overture
Roman Carnival Overture H 95 A Major 1844 Overture
The Corsair H 101 C Major 1844 Overture
The Flight into Egypt H 128 1850 Overture
Romance: Rêverie et caprice H 88 1842 Romance
The Free Judges H 23A 1826 Opera
Benvenuto Cellini H 76A 1838 Opera Semiseria
La nonne sanglante H 91 1847 Opera
Beatrice and Benedick H 138 1862 Opera
Messe solennelle H 20 G Minor 1824 Missa
Grande Messe des morts Requiem H 75 1837 Missa
Te Deum H 118 1849 Te Deum
The Childhood of Christ Sacred Trilogy H 130 1854 Oratorio
The Damnation of Faust légende dramatique (dramatic legend) H 111 1846
Neuf Mélodies irlandaises Irlande H 38 1829 Song(s)
Lélio, or the Return to Life H 55 1831
Tristia H 119 1849 Cantata
Le Cinq Mai chant sur la mort de l’Empereur Napoléon Titre alternatif H 74 1835 Cantata
Treatise on Instrumentation and Modern Orchestration Op. 10 1844
Fleurs des landes H 124 1850 Song(s)
Feuillets d'album H 121 1834 Song(s)
L’Impériale H 129 1854 Cantata
Le temple universel H 137A 1861 Hymn
Invitation à louer Dieu H 143 1868 Hymn
Tantum ergo H 142 B-flat Major 1868 Motet
Veni Creator H 141 G Major 1868 Motet
Salut matinal H 140 1865
Le Roi des aulnes H 136 1860
Hymne pour la consécration du nouveau tabernacle H 135 1859 Hymn
Plaisir d’amour H 134 1859
Marche troyenne H 133b 1864
Potpourri concertant sur des thèmes italiens H 1 1819
Quintets for Flute and String H 2 1819 Quintet
Romances H 4 1819 Romance
Fleuve du Tage H 5 1819 Song(s)
Je vais donc quitter pour jamais/Mon doux pays, ma douce amie H 6 1819 Romance
La Dépit de la bergère H 7 1819 Romance
Recueil de romances avec accompagnement de guitare H 8 1822 Romance
L’Arabe jaloux H 9A 1821 Romance
Le Maure jaloux H 9B 1822 Romance
Amitié, reprends ton empire H 10 1821 Romance
Pleure, pauvre Colette Romance à deux voix égales H 11 C Major 1823 Romance
Le Cheval arabe H 12 1822 Cantata
Canon à trois voix H 13 1822 Canon
Canon libre à la quinte H 14 C Major 1822 Canon
Le Montagnard exilé H 15 E-flat Major 1823 Song(s)
Toi qui l’aimas, verse des pleurs H 16 1823 Romance
Estelle et Némorin H 17 1823 Opera
The Crossing of the Red Sea H 18 1824 Oratorio
Beverley, ou le joueur H 19 1824 Drame musical
La révolution grecque, scène héroïque H 21 1826 Cantata
Fugue H 22 1826 Fugue
Mélodie pastorale H 23B 1828 Song(s)
Le Cri de Guerre du Brisgau H 23C 1834 Intermezzo/intermezzi
Fugue H 24 1827 Fugue
La Mort d’Orphée H 25 1827 Cantata
Marche religieuse des Mages H 27 1828
Fugue H 28 1828 Fugue
Erminia H 29 1828 Cantata
Là ci darem la mano H 30 1828 Variations
Nocturne à deux voix H 31 1830 Nocturne
Salutaris H 32 1828
Le Roi de Thulé Chanson gothique H 33A 1828 Song(s)
8 scenes from Faust H 33B 1829 Cantata
Chanson des pirates H 34 1829 Song(s)
Fugue à 3 sujets H 35 C Major 1829 Fugue
The Death of Cleopatra Cléopâtre, scène lyrique H 36 1829 Cantata
La ballet des ombres Ronde nocturne H 37 C Minor 1829 Secular choral
Le Coucher du soleil Rêverie H 39 1829 Song(s)
Hélène H 40A G Major 1829 Ballade
Hélène H 40B G Major 1844 Ballade
Chant guerrier H 41 1829 Song(s)
La belle voyageuse H 42A 1829 Ballade
La belle voyageuse H 42B 1834 Ballade
La belle voyageuse H 42C 1842 Ballade
La belle voyageuse H 42D 1851 Ballade
Chanson à boire H 43 1829 Song(s)
Chant sacré H 44A 1829 Secular choral
Chant sacré H 44B A-flat Major Secular choral
Chant sacré H 44C A-flat Major 1844 Secular choral
L’origine de la harpe H 45 1829 Ballade
Adieu Bessy H 46A A-flat 1829 Romance
Adieu Bessy H 46B G
Elégie en prose H 47 1829 Elegy
Fugue H 49 1830 Fugue
Sardanapale H 50 1830 Cantata
Hymne des Marseillais H 51A 1830 Hymn
Hymne des Marseillais H 51B 1848 Hymn
Ouverture de la Tempête Fantaisie dramatique sur la Tempête, drama de Shakespeare H 52 1830 Overture
Grande ouverture du roi Lear H 53 A Minor 1831 Overture
Intrata di Rob-Roy MacGregor Rob Roy Overture H 54 D Major 1831 Overture
Le Retour à la vie H 55A 1831
Lélio, or the Return to Life H 55B 1831
Méditation religieuse H 56A 1831
Méditation Religieuse Tristia, No. 1 H 56B G Major 1831
Chœur H 57 1831 Chorus
Chœur d’anges H 58 1831 Chorus
Quartetto e coro dei maggi H 59 F Major 1832 Sacred choral
La Captive Orientale H 60A 1831 Song(s)
La Captive Orientale H 60B 1832 Song(s)
La Captive Orientale H 60C 1834 Song(s)
La Captive Orientale H 60D 1834 Song(s)
La Captive Orientale H 60E E Major 1848 Song(s)
La Captive Orientale H 60F D Major Song(s)
La Dernier Jour du monde H 61 1832 Oratorio
Sketchbook H 62 1836
La Chasse de Lützow H 63 1833
Le chasseur des chamois H 64 1833
Le paysan breton H 65A 1833 Song(s)
Le jeune pâtre breton H 65B 1834 Song(s)
Le jeune pâtre breton H 65C 1834 Song(s)
Le jeune Pâtre breton H 65D E-flat Major 1835 Song(s)
Romance de Marie Tudor H 66 1833 Romance
Les champs H 67A 1834 Song(s)
Harold in Italy Symphonie avec un alto principal en 4 parties (Symphony with solo viola in 4 parts) H 68 G Major 1834 Symphony Concertante
Sara la baigneuse H 69A 1834 Ballade
Sara la baigneuse H 69B 1838 Ballade
Sara la Baigneuse H 69C A Major 1850 Ballade
Je crois en vous H 70 1834 Romance
Le chant des Bretons H 71A 1835 Song(s)
Le chant des Bretons H 71B 1850 Song(s)
Fête musicale funèbre H 72 1835
Chansonette H 73 1835 Song(s)
Le cinq mai chant sur la mort de l’Empereur Napoléon H 74 1835 Cantata
Grande messe des morts Requiem H 75 1837 Requiem
Grande Ouverture de Benvenuto Cellini H 76B 1838 Overture
Erigone H 77 1839
Aubade H 78A 1839
Aubade H 78B G Major 1839
Grand Funeral and Triumphal Symphony H 80A 1840 Symphony
L’apothéose H 80C 1848
Summer Nights Six mélodies avec un petit orchestre H 81 1841 Song cycle
Les nuits d’été H 81B 1856 Song cycle
Villanelle H 82A A Major 1840 Song(s)
Villanelle H 82B A Major 1856 Song(s)
Le spectre de la rose H 83A B Major 1840 Song(s)
Le spectre de la rose H 83B B Major Song(s)
On the Lagoons: Lament H 84A F Minor 1841 Song(s)
On the Lagoons: Lament H 84B F Minor 1856 Song(s)
Absence H 85A F-sharp Minor 1840 Song(s)
Absence H 85B F-sharp Minor 1843 Song(s)
At the Cemetery: Moonlight H 86A D Major 1840 Song(s)
At the Cemetery: Moonlight H 86B D Major 1856 Song(s)
The Unknown Island H 87A F Major 1840 Song(s)
The Unknown Island H 87B F Major 1856 Song(s)
Rêverie et Caprice Romance for violin and orchestra H 88 F-sharp Minor 1841 Caprice (Capriccio)
Le Freyschütz H 89 1841
L’invitation à la valse H 90 1841
Le temple universel H 137A 1861
Le temple universel H 137B 1868
Collection de 32 Mélodies H 139 Song(s)
L'Impériale H 129 1854 Cantata
The Childhood of Christ Trilogie sacrée (sacred trilogy) H 130 1850 Oratorio
La mort d’Ophélie, ballade d’après Shakespeare Tristia, No. 2 H 92A B-flat Major 1842 Ballade
La mort d’Ophélie, ballade d’après Shakespeare Tristia, No. 2 H 92B A-flat Major 1848 Ballade
Souvenirs—Bêtises—Improvisations H 93 1848
La belle Isabeau 1Conte pendant l'orange H 94A 1843 Song(s)
La belle Isabeau Conte pendant l'orange H 94B 1844 Song(s)
Le carnaval romain: ouverture caractéristique Roman Carnival Overture H 95 A Major 1843 Overture
Albumleaf H 96 E Major 1844
Hymne à la France Vox populi, No. 2 H 97 1844 Cantata
Rustic serenade to the virgin on the theme of the Roman pifferari H 98 E-flat Major 1844 Serenade
Toccata H 99 C Major 1844 Toccata
Hymn for the Elevation H 100 D Major 1844 Hymn
La Tour de Nice H 101A 1844 Overture
The Corsair H 101B C Major 1844 Overture
Scène de la comédie Morceaux d’Hamlet, no. 1 H 102 1844
Marche funèbre pour la dernière scène d'Hamlet Tristia, No. 3 H 103 A Minor 1844 Marche
Le chasseur danois H 104 D Major 1844 Song(s)
Le chasseur danois H 104B 1844 Song(s)
Marche marocaine H 105 1845 Marche
Le Vent gémit Albumleaf H 106 1845 Song(s)
Zaïde: boléro H 107A F Major 1845 Bolero
Zaïde: boléro H 107B F Major 1845 Bolero
Marche d’Isly H 108 1845 Marche
Marche de Rákóczy Version I H 109 1846 Marche
Chant des chemins de fer H 110 B Minor 1846 Cantata
Prière du matin Chœur d'enfants H 112 1846 Sacred choral
Le Trébuchet H 113 1820 Scherzo
Nessun maggior piacere H 114 1847 Song(s)
Chant du départ H 115 1848 Song(s)
Mourons pour la patrie H 116 1848 Song(s)
La menace des Francs Vox populi, No. 1 H 117 1848 Cantata
Vox Populi H 120 1849 Cantata
Feuillets d’album H 121
Chant des chérubins H 122 1850 Song(s)
Pater noster H 123 1851
Fleurs des landes H 124 1850 Song(s)
Le matin H 125 1850 Romance
Petit oiseau Chanson de paysan H 126 1850 Song(s)
Albumleaf for Edouard Silas H 127
Waltz sung by the wind in the chimneys of one of my castles in Spain H 131 B Major 1855 Waltz
Au bord d’une rivière H 132 1856 Song(s)

Berlioz - Symphonie Fantastique - A Ball

Berlioz - Symphonie Fantastique - Un bal

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H. Berlioz: Sinfonía Fantástica Op. 14 II - Un bal. Sheet Music

H. Berlioz: Sinfonía Fantástica Op. 14 II - Un bal. Sheet Music Más información en el blog Musicnetmaterials.es En el Canal https://www.youtube.com/channel/UCwStFmSMYbjwGElZzeF9V2Q

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Hector Berlioz - Symphonie fantastique (1830) - II. Au bal

P.S. As the descriptions of the presented symphony's individual movements tend to be rather long, all the information concerning the genesis of the work as a whole can be found in the notes of the first posting. P.P.S. A complete score of the presented movement with a midi soundtrack can be found here: http://www.hberlioz.com/Scores/79428394.htm Music: II. Perhaps among all of the symphony's movements, "Un bal" is the most accessible and certainly the most charming. Dramatically, the section shows the artist at a glittering ball, forgetting somewhat his state of mind in the brilliance of a waltz; however, soon the object of his affection appears, leading him once again to the feelings already described in the allegro of the first movement. The section revolves around two main musical ideas: the delightful waltz of the party and the idee fixe which effectively disrupts it. The piece opens in an atmosphere of excited anticipation, as the strings state both a rising wave motive (heard in the cellos and bass) (the crowd of dancers awaiting the beginning of the dance (?)) and a tremulous figure in the violins, suggesting the mutter of delight at the coming entertainment. Both harps make a pointed appearance in graceful upward runs. The accompaniment progressively becomes more agitated, as the violins and higher winds, finally making a late entrance, force a transition to major (0:39), followed by a glowing double cadenza for the harps, joined for its second half by the flute/oboe/clarinet. The first violins then begin to play the waltz proper, a genuinely sunny melody (0:44), gently accented with the richly ornamented line of the harps (1:04) and the charming staccato runs of the flute/clarinet (1:17). A brief tempo di mezzo finds the violins and cellos engaging in a "breathless" line over the trumpet-like statements of the flute/clarinet/horn (1:29) before a romantic sigh returns us to the waltz, once again played by the strings, while the rest of the orchestra plays separate notes in a manner of the feet of the dancers clicking on a marble floor (1:45). A dramatic rise in the orchestra and a trumpet call from the cornet, however, disrupts the dance (1:58), as though a person of great importance has just arrived. The orchestra retreats into a string tremolo, while the flute/oboe state the idee fixe (2:13). The artist's beloved passes among the dancers, some of whom exchange words of wonderment (evident in the bubbling of the cellos and bass). The appearance of the clarinet, replacing the oboe and continuing the theme, signals a return to the dance (2:22), as the object of the artist's affections joins the waltz, gracefully twirling among the dancers, beautifully captured by the melodramatic rises and falls of the violins and violas. A brief cadenza leads to a collective sigh of admiration from the strings (2:54), as if the girl has just disappeared in the crowd. A tentative tutti for the whole orchestra, as if the dancers are searching for the tempo, overflows into another statement of the waltz theme, this time played by the second violins/violas/cellos, while the first violins engage in a charming ornamental figure and the winds continue a triplet figuration (3:12). The harps' exquisite lines (3:20) and a boastful appearance for the cornet (3:30) are added to round out the number. The melody remains virtually the same with Berlioz only enriching the accompaniment, nowhere more apparent than in the more advanced wind cadenza (4:05) with the cornet/piccolo. The waltz theme is once again repeated complete, now with the whole orchestra joining in to support the winds' (flute/piccolo/oboe/clarinet) varied statement of the dance (4:10), delightfully contrasted with the sudden sustained tutti notes. A coda of the utmost brilliance begins (4:36), intertwining all the motives into one glorious tapestry of sound. Even if Berlioz were to stop here, we would already have a number of infinite enchantment to enjoy. However, instead of allowing the coda to naturally resolve, the composer once again returns us to the idee fixe, played by the clarinet over the sustained tones of the horns and the short figures from the harps (5:14), as the hero's beloved is leaving the party without even a passing glance for her admirer. However, none of the other guests notice this scene, and the fete continues with dizzying force (5:43). Recording: The classic 1974 Philips recording under Colin Davis, leading the enchanting Royal Concertgebouw Orchestra, is, probably, one of the most ardent and warm renditions of Berlioz's masterpiece. Hope you'll enjoy =).

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Hector Berlioz - Fantastical Symphony - A Ball - Symphonie fantastique - Un bal

Sylwia Anna Janiak - conductor/dyrygent Symphony Orchestra of the Feliks Nowowiejski Music School in Gdańsk, Poland La Folle Journee de Varsovie "Passions of Heart and Soul" 2015 recorded at the Polish National Opera House in Warsaw Orkiestra Ogólnokształcącej Szkoły Muzycznej I st. im. Feliksa Nowowiejskiego w Gdańsku Szalone Dni Muzyki w Warszawie "Pasje serca i duszy" 2015 Teatr Wielki - Opera Narodowa w Warszawie #SylwiaAnnaJaniak #Berlioz #FantasticalSymphony

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Hector Berlioz : Symphonie Fantastique - II. Un bal

Performed by IPOJ at Sumida Triphony Hall on May 21st,2006.

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