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J. S. Bach: Orchestral Suite No. 2 in B minor, BWV 1067

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Bach - Orchestral Suite No. 2 in B minor BWV 1067 - Sato | Netherlands Bach Society

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ohann Sebastian Bach. Orchestral Suite No. 2 in B minor, BWV 1067

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The four orchestral suites (called ouvertures by their author), BWV 1066–1069 are four suites by Johann Sebastian Bach. The name ouverture refers only in part to the opening movement in the style of the French overture, in which a majestic opening section in relatively slow dotted-note rhythm in duple meter is followed by a fast fugal section, then rounded off with a short recapitulation of the opening music. More broadly, the term was used in Baroque Germany for a suite of dance-pieces in French Baroque style preceded by such an ouverture. This genre was extremely popular in Germany during Bach's day, and he showed far less interest in it than was usual: Robin Stowell writes that "Telemann's 135 surviving examples [represent] only a fraction of those he is known to have written"; Christoph Graupner left 85; and Johann Friedrich Fasch left almost 100. Bach did write several other ouverture (suites) for solo instruments, notably the Cello Suite no. 5, BWV 1011, which also exists in the autograph Lute Suite in G minor, BWV 995, the Keyboard Partita no. 4 in D, BWV 828, and the Overture in the French style, BWV 831 for keyboard. The two keyboard works are among the few Bach published, and he prepared the lute suite for a "Monsieur Schouster," presumably for a fee, so all three may attest to the form's popularity.

Date of composition 1739 (1738–39) in Leipzig, Germany
First published 1853
Type Suite
Tonality B Minor
Catalogue BWV 1067
Approx. duration 20 minutes
Instruments Flute
Strings
Continuo
In listings Famous Works
Famous Works 100
Links
Autotranslations beta Jean-Sébastien Bach: Orchestral Suite No.2 (Overture) en si mineur, BWV 1067
Johann Sebastian Bach: Orchestral Suite No.2 (Overture) in si minore, BWV 1067
Johann Sebastian Bach: Orchestral Suite No.2 (Overture) h-moll, BWV 1067

J. S. Bach: Orchestral Suite No. 2 in B minor, BWV 1067

Viktória Gárdai - Flute Pannon Philharmonic Orchestra András Vass LIVE RECORDING Kodály Centre, Pécs, 2012 02 04 Sound engineer: László Dobos http://www.andrasvass.com http://www.pfz.hu http://www.kodalykozpont.hu/index.php... The Pannon Philharmonic Orchestra is the owner of the sound and video material. Ouverture Rondeau Sarabande Bourrée I/II Polonaise (Lentement) -- Double Minuet Badinerie

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Bach - Orchestral Suite No. 2 in B minor BWV 1067 - Sato | Netherlands Bach Society

From the pompous opening bars all the way through to the frivolous finale, Bach’s Orchestral Suite no. 2 in B minor, performed by the Netherlands Bach Society for All of Bach, is a mouth-watering piece of music. And that applies literally to the flautist, who has to keep proving his worth with no respite whatsoever. Recorded for the project All of Bach on November 30th 2014 at TivoliVredenburg, Utrecht. If you want to help us complete All of Bach, please subscribe to our channel http://bit.ly/2vhCeFB or consider donating http://bit.ly/2uZuMj5. For the interview with violinist Shunske Sato on Orchestral Suite no. 2 in B minor go to https://youtu.be/KqcHfGtB5fk For the interview with flute player Marten Root on BWV 1067 go to https://youtu.be/Sz_9dQycOno For more information on BWV 1067 and this production go to http://allofbach.com/en/bwv/bwv-1067/ All of Bach is a project of the Netherlands Bach Society / Nederlandse Bachvereniging, offering high-quality film recordings of the works by Johann Sebastian Bach, performed by the Netherlands Bach Society and her guest musicians. Visit our free online treasury for more videos and background material http://allofbach.com/en/. For concert dates and further information go to https://www.bachvereniging.nl/nederlandse-bachvereniging. Netherlands Bach Society, Shunske Sato, violin and direction Marten Root, traverso 0:00 Ouverture 6:46 Rondeau 8:55 Sarabande 11:46 Bourrée I & II 13:44 Polonaise 17:14 Menuet 18:35 Badinerie (Battinerie)

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ohann Sebastian Bach. Orchestral Suite No. 2 in B minor, BWV 1067

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Bach : Suite No. 2 in B Minor, BWV 1067 (complete/full)

♫ Buy “Bach: Suite No. 2” (MP3 album) on the Official Halidon Music Store: https://bit.ly/2K6bU87 🎧 Listen to "Bach: Essential Classics" on Spotify: http://spoti.fi/2nShY9e ▶▶ Order “50 Masterpieces of Classical Music” (3CDs) on Amazon: IT: https://amzn.to/2ntD81I FR: https://amzn.to/2pfYBvL DE: https://amzn.to/2nIidrQ ES: https://amzn.to/2nM8aBU UK: https://amzn.to/2p12vbI USA: https://amzn.to/2Sf3Nt4 CA: https://amzn.to/2RxFidK MEX: https://amzn.to/2FgYmpZ ▶▶ Order “50 Masterpieces of Classical Music” [3CDs] eBay: http://bit.ly/2zgucP8 🔔 Subscribe to our channel: http://bit.ly/YouTubeHalidonMusic 👥 Like us on Facebook: https://www.facebook.com/halidonmusic These tracks are available for sync licensing in web video productions, corporate videos, films, ads and music compilations. For further information and licensing please contact info@halidononline.com Performed by: Orchestra da Camera Fiorentina Conductor: Giuseppe Lanzetta Flute: Andreas Blau Bach: Suite No. 2 in B Minor, BWV 1067 I. Ouverture. Lentamente II. Rondeau ( 07:45 ) III. Sarabande ( 09: 17 ) IV. Bourrée ( 12:18 ) V. Double ( 14:20 ) VI. Minuetto ( 17:49 ) VII. Badinerie ( 19:06 ) Thank you so much for watching this video by Halidon Music channel, we hope you enjoy it! Don't forget to share it and subscribe to our channel http://bit.ly/YouTubeHalidonMusic #classicalmusic #bach #suite

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Bach - Orchestral Suite No. 2 in B minor, BWV 1067

The four orchestral suites (called ouvertures by their author), BWV 1066--1069 are four suites by Johann Sebastian Bach. The name ouverture refers only in part to the opening movement in the style of the French overture, in which a majestic opening section in relatively slow dotted-note rhythm in duple meter is followed by a fast fugal section, then rounded off with a short recapitulation in triple meter of the opening music. More broadly, the term was used in Baroque Germany for a suite of dance-pieces in French Baroque style preceded by such an ouverture. This genre was extremely popular in Germany during Bach's day, and he showed far less interest in it than was usual: Robin Stowell writes that "Telemann's 135 surviving examples [represent] only a fraction of those he is known to have written"; Christoph Graupner left 85; and Johann Friedrich Fasch left almost 100. Bach did write several other ouverture (suites) for solo instruments, notably the Cello Suite no. 5, BWV 1011, which also exists in the autograph Lute Suite in G minor, BWV 995, the Keyboard Partita no. 4 in D, BWV 828, and the Overture in the French style, BWV 831 for keyboard. The two keyboard works are among the few Bach published, and he prepared the lute suite for a "Monsieur Schouster," presumably for a fee, so all three may attest to the form's popularity. Scholars believe that Bach did not conceive of the four Orchestral Suites as a set (in the way he conceived of the Brandenburg Concertos), since the sources are various, as detailed below. The source is a partially autograph set of parts (Bach wrote out those for flute and viola) from Leipzig in 1738--39. Ouverture (Metrical sign of opening section is C; metrical sign of fugal section is 2 with a slash through it; metrical sign of ending section, marked Lentement, is 3/4) Rondeau - spelled Rondeaux by Bach (metrical sign is ₵) Sarabande (metrical sign is 3/4), with a canon at the 12th between the flute (plus first violins) and the bass Bourrée I/II (metrical sign is ₵) Polonaise/ Double (metrical sign for both is 3/4); the flute part is marked "Moderato e staccato" and the first violin part "lentement" (slowly) Menuet (metrical sign is 3/4) Badinerie (metrical sign is 2/4). Bach, in the autograph part, spells this "Battinerie". Instrumentation: Solo "[Flute] traversiere" (transverse flute), violin I/II, viola, basso continuo. The Badinerie (literally "jesting" in French; in other works Bach used the Italian word with the same meaning, "Scherzo") has become a show-piece for solo flautists because of its quick pace and difficulty. Joshua Rifkin has argued, based on in-depth analysis of the partially autograph primary sources, that this work is based on an earlier version in A minor in which the solo flute part was scored instead for solo violin.[3] Rifkin demonstrates that notational errors in the surviving parts can best be explained by their having been copied from a model a whole tone lower, and that this solo part would venture below the lowest pitches on the flutes Bach wrote for (the transverse flute, which Bach called flauto traverso or flute traversiere). Rifkin argues that the violin was the most likely option, noting that in writing the word "Traversiere" in the solo part, Bach seems to have fashioned the letter T out of an earlier "V", suggesting that he originally intended to write the word "violin" (the page in question can be viewed here, p. 6)[4] Further, Rifkin notes passages that would have used the violinistic technique of bariolage. Rifkin also suggests that Bach was inspired to write the suite by a similar work by his second cousin Johann Bernhard Bach. Flautist Steven Zohn accepts the argument of an earlier version in A minor, but suggests that the original part may have been playable on flute as well as violin. Oboist Gonzalo X. Ruiz has argued in detail that the solo instrument in the lost original A-minor version was the oboe, and he has recorded it in his own reconstruction of that putative original on a baroque oboe. His case against the violin is that: the range is "curiously limited" for that instrument, "avoiding the G string almost entirely," and that the supposed violin solo would at times be lower in pitch than the first violin part, something that is almost unheard of in dedicated violin concertos. By contrast, "the range is exactly the range of Bach's oboes"; scoring the solo oboe occasionally lower than the first violin was typical Baroque practice, as the oboe still comes through to the ear; and the "figurations are very similar to those found in many oboe works of the period." Free video background: http://www.free-video-footage.com Creative Commons license: Public Domain.

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