The work is Bach's first cantata composition for the feast of the Ascension. Surprisingly for a high feast day, it is modestly scored; only two oboes d'amore add to the sound of the regular strings and basso continuo, accompanying four vocal parts. An anonymous poet derived thoughts from the prescribed Gospel, even quoting a verse, but excluded the Ascension itself and concentrated on the Lutheran idea of justification by faith alone. The poet structured the six movements of the cantata in two parts, each concluded by a chorale.
Librettist | Anonymous |
Date of composition | 1724 in Leipzig, Germany |
First published | 1857 in Leipzig, Germany |
Type | Cantata |
Tonality | A Major |
Catalogue | BWV 37 |
Approx. duration | 21 minutes |
Spoken language | German |
Instruments |
Voice (Soprano)
Voice (Alto) Voice (Tenor) Voice (Countertenor) Chorus/Choir Oboe d'amore Strings Continuo |
Autotranslations beta |
Jean-Sébastien Bach: Wer da gläubet und getauft wird en la majeur, BWV 37 ""He who believes and is baptised"" Johann Sebastian Bach: Wer da gläubet und getauft wird in la maggiore, BWV 37 ""He who believes and is baptised"" Johann Sebastian Bach: Wer da gläubet und getauft wird A-dur, BWV 37 ""He who believes and is baptised"" |