The work is Bach's first cantata composition for the feast of the Ascension. Surprisingly for a high feast day, it is modestly scored; only two oboes d'amore add to the sound of the regular strings and basso continuo, accompanying four vocal parts. An anonymous poet derived thoughts from the prescribed Gospel, even quoting a verse, but excluded the Ascension itself and concentrated on the Lutheran idea of justification by faith alone. The poet structured the six movements of the cantata in two parts, each concluded by a chorale.

Librettist Anonymous
Date of composition 1724 in Leipzig, Germany
First published 1857 in Leipzig, Germany
Type Cantata
Tonality A Major
Catalogue BWV 37
Approx. duration 21 minutes
Spoken language German
Instruments Voice (Soprano)
Voice (Alto)
Voice (Tenor)
Voice (Countertenor)
Chorus/Choir
Oboe d'amore
Strings
Continuo
Autotranslations beta Jean-Sébastien Bach: Wer da gläubet und getauft wird en la majeur, BWV 37 ""He who believes and is baptised""
Johann Sebastian Bach: Wer da gläubet und getauft wird in la maggiore, BWV 37 ""He who believes and is baptised""
Johann Sebastian Bach: Wer da gläubet und getauft wird A-dur, BWV 37 ""He who believes and is baptised""