The first, in D major, known as the Ghost, is one of his best known works in the genre (rivaled only by the Archduke Trio). The D major trio features themes found in the second movement of Beethoven's Symphony No. 2. The All-Music Guide states that "because of its strangely scored and undeniably eerie-sounding slow movement, it was dubbed the 'Ghost' Trio. The name has stuck with the work ever since. The ghostly music may have had its roots in sketches for a Macbeth opera that Beethoven was contemplating at the time."
| Date of composition | 1808 |
| First published | 1809 |
| Type | Piano Trio |
| Tonality | D Major |
| Catalogue | Op. 70 |
| Instruments |
Piano
Violin Cello |
| In listings |
●
Famous Works
● Famous Works 100 |
| Autotranslations beta |
Ludwig van Beethoven: Trio pour piano n°5 en ré majeur, Op. 70 "Ghost" Ludwig van Beethoven: Trio per pianoforte n. 5 in re maggiore, Op. 70 "Ghost" Ludwig van Beethoven: Trio Nr. 5 für Klavier D-dur, Op. 70 "Ghost" |
0:27 Allegro vivace con brio 8:10 Largo assai ed espressivo 16:50 Presto violin: Chihiro Inda violoncello: Yasutaka Takeuchi piano: Satomi Hayakawa ヴァイオリン 印田千裕、 チェロ 竹内康高、 ピアノ 早川聡美
On Wednesday the 27th of June the Utrecht International Chamber Music Festival 2018 opened with a spectaculair openingsconcert by cellist Harriet Krijgh & Friends. Among two other brilliant pieces, they focused on Beethoven's wonderful 'Piano Trio in D major, Op. 70 No. 1', nicknamed "Ghost". This nickname has probably been born out of a quote by Beethoven's pupil Carl Czerny. According to him, "The character of the very slow to perform Largo is spooky and eerie, like a vision of the underworld." 0:03 Allegro vivace e con brio 7:25 Largo assai ed espressivo 19:06 Presto Ludwig van Beethoven: Piano Trio in D major, Op. 70 No. 1 “Ghost” Emmanuel Tjeknavorian [violin] Harriet Krijgh [cello] Magda Amara [piano] Ab Nieuwdorp [presenter] Recording: Wednesday the 27th of June 2018, during The Utrecht International Chamber Music Festival in TivoliVredenburg in Utrecht. More AVROTROS Klassiek: ♬ Facebook: https://www.facebook.com/AVROTROS.Klassiek/ ♬ Twitter: https://twitter.com/klassiekonline ♬ Instagram: https://www.instagram.com/avrotrosklassiek/
Participants of the 2013 San Francisco Conservatory of Music-Shanghai International Chamber Music Festival perform Beethoven "Ghost" Piano Trio in D Major, Op 70 No. 1. To learn more about SFCM's Strings and Piano Chamber Program, visit http://bit.ly/3pa4TX9 Performers: Wei He, violin Bonnie Hampton, cello Paul Hersh, piano Connect with us on Social Media: Instagram: https://www.instagram.com/sfconservmusic/ Facebook: https://www.facebook.com/SanFranciscoConservatoryOfMusic Twitter: https://twitter.com/SFConservMusic LinkedIn: https://www.linkedin.com/school/san-francisco-conservatory-of-music/
I. Allegro vivace e con brio 0:00 II. Largo assai ed espressivo 10:18 III. Presto 21:58 The Annotations feature has been discontinued on the YouTube platform so the section labels unfortunately no longer appear. However they can be found on my analysis blog here: https://lvbandmore.blogspot.com/p/color-analysis-beethoven-concertos.html Performed by the Beaux Arts Trio For more videos of this type see: Color-Coded Analysis of Beethoven's Music (INDEX): http://lvbandmore.blogspot.com/p/color-coded-analysis-of-beethovens-music.html Introduction to Sonata Form: http://lvbandmore.blogspot.com/p/about-sonata-form-and-analysis.html My Analysis Cheat Sheet: -SONATA FORM: Most common form, almost always in the 1st movement and often last movement of a work. The basic sequence is Intro, Exposition, Development, Recapitulation and Coda. -EXPOSITION: Main theme(s) are presented, usually in the home key and then a modulated key -THEME / THEME GROUP: musical "paragraph". These can be broken down into 1 or more "tunes". These are grouped according to key and end on cadences. The 1st Theme Group is in the home key. The 2nd Theme Group is in the dominant or other key. -CLOSING/CADENCE SECTION: a theme group which closes the Expo or Recap (it follows the 2nd theme) and revives Theme 1 to provide closure. -MODULATING BRIDGE/TRANSITION: material to get from 1 key/theme group to another, often w sequencing. -DEVELOPMENT: free-form "working out"/"fantasia" section where earlier themes are subjected to variations and atomizations. Possibly a new theme is introduced ("Eroica"). -RECAPITULATION: Repeat of the Expo, except that this section remains in the same key throughout and there can be theme variations from the initial Expo versions of themes. -CODA: Follows the Recap, kind of a second development designed to finish off the work. -SEQUENCING: repeating a phrase on different starting notes (keys) -TERNARY FORM: 3-part form in A-B-A, usually a Scherzo or Minuet -SCHERZO/MINUET: 1st pt. of a 3-pt. Scherzo form, usually AA.BA'.BA' in 3/4 time. Lively. -TRIO: Middle section of a Scherzo movement, slower, broader than the Scherzo section -RONDO: Similar to Sonata form except that the Development is replaced by a new section and there is less transition material. A principal theme (A) alternates with contrasting themes (BCD...). (Ex.ABACABA.) -FUGUE: form in which a subject(s) undergoes canonical permutations -VARIATION: repeat of a theme with variation -CADENZA: unaccompanied instrumental solo -BINARY FORM: Structure in AB. 2-Part Song form. (Disclaimer: I do not have a music degree, all of the above is purely from memory and observation) Piano Trio 5 in D, Op.70, No. 1 "Ghost" (1808) I. Allegro vivace e con brio (Sonata form) Exposition: 1st theme / 2nd theme (BROWN) 2nd Theme (BLUE) 3rd theme (GREEN) Exposition (repeat): 1st theme / 2nd theme (LT BROWN) 2nd Theme (LT BLUE) 3rd theme (LT GREEN) Development: 1st theme (PURPLE) 2nd theme (PURPLE) 1st theme (PURPLE) Recapitulation: 1st theme (BROWN) 2nd theme (BLUE) 3rd theme (GREEN) Development (repeat): 1st theme (LT PURPLE) 2nd theme (LT PURPLE) 1st theme (LT PURPLE) Recapitulation (repeat): 1st theme (BROWN) 2nd theme (BLUE) 3rd theme (GREEN) Coda (PURPLE) II. Largo assai ed espressivo (Sonata form) from 10:18 Exposition: 1st theme (BROWN) 2nd theme (BLUE) 3rd theme (GREEN) Development: (PURPLE) 1st theme 2nd theme 1st theme (return) Exposition (repeat): 1st theme (LT BROWN) 2nd theme (LT BLUE) 3rd theme (LT GREEN) Development (repeat): (LT PURPLE) 1st theme 2nd theme 1st theme (return) Coda (3rd theme) (MAROON) III. Presto (Sonata form) from 21:58 Exposition: 1st theme (BROWN) 2nd theme (BLUE) 3rd theme (GREEN) Exposition (repeat): 1st theme (LT BROWN) 2nd theme (LT BLUE) 3rd theme (LT GREEN) Development: (VIOLET) 3rd theme 1st theme Recapitulation: 1st theme (BROWN) 2nd theme (BLUE) 3rd theme (GREEN) Coda (PURPLE) (from Alan Rich's Play by Play) http://lvbandmore.blogspot.com/2011/03/331-ghost-piano-trio-color-analysis.html
◈ Beethoven : Piano Trio in D Major Op.70 No1 1st Movement Allegro vivace e con brio 2nd Movement Largo assai ed espressivo 3nd Movement Presto 베토벤이 1808년에 작곡한 피아노 3중주 5번은 제 2악장의 대담한 수법과 거기에서 빚어지는 침울하고 신비스러운 정서 때문에 '유령'이라는 부제가 있다. 이 곡은 스타카토로 시작하여 첼로의 완만한 선율을 바이올리과 피아노가 따라가는 제 1악장, 전개부가 따로없이 피아노를 중심으로 한 소나타 형식에 의하여 파악하기 어려운 환상을 그려내는 불가사의한 제 2악장, 그리고 이와는 대조적으로 화려하고 명랑한 느낌의 제 3악장으로 구성되어있다.