The chorale cantata is based upon Johann Franck's hymn "Schmücke dich, o liebe Seele", with a melody by Johann Crüger, a hymn for the Eucharist. It matches the Sunday's prescribed reading, the Parable of the Great Banquet from the Gospel of Matthew. The first and last stanza are used unchanged in both text and tune: the former is treated as a chorale fantasia, the latter as a four-part closing chorale. An unknown librettist paraphrased the inner stanzas as recitatives and arias, quoting one stanza of the hymn within a recitative. Bach scored the cantata for four vocal soloists, a four-part choir, and a Baroque instrumental ensemble of different flutes and oboes, strings and continuo. All movements are set in the major mode, in keeping with the festive text, and several movements resemble dances.
Librettist | Johann Franck (1618-1677) (Nos.1, 3, 7) |
Date of composition | 1724 |
Premiered | 1724, October 22nd in Leipzig, Germany |
Dedicated to | 20th Sunday after Trinity |
Type | Sacred Cantata |
Tonality | F Major |
Catalogue | BWV 180 |
Instruments |
4x
Voice
Chorus/Choir Orchestra |
Links | |
Autotranslations beta |
Jean-Sébastien Bach: Schmücke dich, o liebe Seele en fa majeur, BWV 180 Johann Sebastian Bach: Schmücke dich, o liebe Seele in fa maggiore, BWV 180 Johann Sebastian Bach: Schmücke dich, o liebe Seele F-dur, BWV 180 |