The cantata text was written by an anonymous poet, including two stanzas of Johann Heermann's hymn "Treuer Gott, ich muß dir klagen" (1630) and two stanzas of Paul Gerhardt's "Wach auf, mein Herz, und singe" (1647). Bach used an earlier secular cantata as a base for a structure in two parts of six movements each, beginning with an extended choral movement and concluding both parts with chorale stanzas. The inner movements are alternating recitatives and arias. The chorales are the only movements which were certainly newly composed for the occasion. Bach scored the work for three vocal soloists, a four-part choir and a Baroque instrumental ensemble of three oboes, bassoon, strings and continuo. After the first performance in Störmthal, Bach performed the cantata again in Leipzig for Trinity Sunday, first on 4 June 1724, a shortened version in 1726, and the complete version in 1731.

Librettist (lost; revised as BWV 194)
Date of composition 1723
Type Secular Cantata
Catalogue BWV 194a
Arrangements Johann Sebastian Bach: Höchsterwünschtes Freudenfest in B-flat major, BWV 194
Autotranslations beta Jean-Sébastien Bach: Cantata for the consecration of the organ at Störmthal, BWV 194a "Höchsterwünschtes Freudenfest"
Johann Sebastian Bach: Cantata for the consecration of the organ at Störmthal, BWV 194a "Höchsterwünschtes Freudenfest"
Johann Sebastian Bach: Cantata for the consecration of the organ at Störmthal, BWV 194a "Höchsterwünschtes Freudenfest"