Usual Name | Georges Bizet |
Alternative Spellings | Alexandre César Léopold Bizet, ... Bizet, Giorgio Bizet, Carl Georges Bizet, George Bizet, G. Bizet, Aleksandr Sezar Leopol'd Bize, Alexandre César Léopold Georges Bizet, Zorz Bize |
On Wikipedia | Georges_Bizet |
Links | RISM person , VIAF , GND |
Performed at the Metropolitan Opera Conducted by James Levine
G. Bizet Overture from 'Carmen' == Orchestra of The Royal Opera House conducted by ZUBIN MEHTA == Live at the Royal Opera House in Covent Garden, . BIZET,G.: Carmen (Royal Opera House, 1991) (PAL) Georges Bizet (1838-1875) Carmen, Opera in four acts From The Royal Opera House Covent Garden 1991 .
Carmen Overture by Georges Bizet performed by The Russian Philharmonic Orchestra (Live Concert in C.R.I.S.T.A.L.® Audiophile Stereo) Crisp Resolution Integrated Stereo Audio Line or better known as C.R.I.S.T.A.L.®, started out as an audiophile stereo mastering and encoding technology developed by Daniel Foo, founder of GECKO MUSIC GROUP. It enables every regular disc that is encoded with this technology sounding like the master source itself, if not better. The mastering technology involved an ultra-wide dynamic spectrum enhancement for the genuine expressions of music, without altering its original tonality and values. The C.R.I.S.T.A.L.® technology allows easy and lossless conversion to major frequencies of 32, 44.1, 48, 88.2, 96kHz and higher. The encoding stage involves a propriety-burning technique that has the rate of more than 2.8224 Mbps/Ch on a regular disc. The same C.R.I.S.T.A.L.® audiophile technology concept has since evolved into C.R.I.S.T.A.L.® WaveGuide, C.R.I.S.T.A.L.® Audiophile PreAmps, and GECKO® C.R.I.S.T.A.L.® Acoustic Adaptation Processor (GCAAP) in the hardware forms, now widely used on GECKO® professional audio equipments, for stereo audiophile applications for home, studio, and live settings. Using reference value of 1V (International Ohm's Law reference), we are able to achieve a super accurate audio reproduction with our proprietary C.R.I.S.T.A.L.® circuitry; at 0dB, below 0dB, and above 0dB, resulting in a very much improved clarity with minimum loss over full spectrum of the reproduced audio waveform. C.R.I.S.T.A.L.® Audiophile technology enables accurately-controlled amplitude modulation through f(x,t) = 1.00*sin(2* Π/0.10*(x-1.00*t)) and g(x,t) = 1.00*sin(2*Π/0.11*(x-1.00*t)), resulting in improved clarity with minimum loss over full spectrum of the reproduced audio waveform. How the Russian Philharmonic Orchestra: Live in Concert sound was captured for both live performance and recording Sound Capturing A pair of GECKO® SATELLITE SRM 2020 C.R.I.S.T.A.L.® audiophile large-diaphragm condenser microphones were used to capture the overall orchestra sound in stereo, a unit of GECKO® SATELLITE SCM 1820S C.R.I.S.T.A.L.® audiophile stage condenser microphone was assigned for the solo violin, a pair of GECKO® PASSION MP 830S C.R.I.S.T.A.L.® audiophile dynamic microphones were used to pick up the two double basses, and a unit of GECKO® PASSION MP 621W/RP 211U wireless handheld microphone was used to capture the soprano's vocal. One unit of GECKO® AYERS ROCK DI 100P C.R.I.S.T.A.L.® audiophile direct injection box was used with one unit of GECKO® LEGENDS BGT 60 backline amplifier for the orchestra's digital piano, with its reproduced sound captured by the pair of SATELLITE SRM 2020 C.R.I.S.T.A.L.® audiophile large-diaphragm condensers along with the overall sound blend of the entire orchestra. Signal Transmission All signals are connected using GECKO® TRUTH T3AL audiophile signal cables and GECKO® SEEKER SSC 2840 audiophile snake cables terminated with GECKO® OLYMPIAN series audiophile interconnects. Stereo Summing The real time stereo summing (of all the seven monaural tracks) for both live playback and recording were done on the GECKO® EXODUS ODYSSEY MXR 5204L 52-channel C.R.I.S.T.A.L.® audiophile mixing console, with every channel's EQ bypassed. No DSPs were applied. Front-of-House (F.O.H.) The stereo summations were sent to two lines of REVELATION series C.R.I.S.T.A.L.® audiophile active line array systems (F.O.H.), to achieve an equal volume concert experience with C.R.I.S.T.A.L.® audiophile clarity within the ballroom. Each line was made up by three units of GECKO® REVELATION SLA 812RA 2*12" module and a unit of GECKO® REVELATION SLA 818WA 18" subwoofer. The GECKO® REVELATION C.R.I.S.T.A.L.® audiophile active line array systems operate on 13A, 110/220V power supply. Master CD The recorded stereo tracks were then sent for C.R.I.S.T.A.L.® audiophile mastering and encoding. The C.R.I.S.T.A.L.® audiophile mastering and encoding enables the listener to experience the concert sound the same way it sounded in both live and on the master CD. The Russian Philharmonic Orchestra: Live in Concert Date: 12 May, 2015 Location: Grand Jasmine Ballroom, RH Hotel, Sibu, Sarawak, Malaysia. Live Sound/Recording Engineer: Daniel Foo Assistant Live Sound Engineer: Samuel Tai Mastering Engineer: Daniel Foo Producer: Daniel Foo GECKO® - 'AUDIOPHILE GEARS OF PROFESSIONALS' For more information on GECKO® C.R.I.S.T.A.L.® Audiophile Products and Technologies, visit http://www.geckomusic.net https://www.youtube.com/watch?v=gk4QdaJZTKg&list=PL9kU7ytHzD5_XZ3K-Ql2CFr-Y2p8heQPK&index=6 https://www.youtube.com/watch?v=vhKM-dD8-Bk&list=PL9kU7ytHzD5_XZ3K-Ql2CFr-Y2p8heQPK&index=8 Like and subscribe for more updates and stand a chance to win a GECKO® product.
Georges Bizet, Carmen, Overture, Robert W. Butts, conductor, Eastern Opera Company, Brook Arts Center, Bound Brook, New Jersey, March 30, 2014, Karole Lewis, director, Brian Foran, recording engineer, E. Michael Markwis, cameraman
Provided to YouTube by Warner Classics Symphony in C Major, WD 33: I. Allegro vivo · Sir Neville Marriner · Academy of St Martin in the Fields Bizet: Symphony in C Major, WD 33 & L'Arlésienne Suites Nos 1 & 2 ℗ A Warner Classics release, ℗ 1994 Parlophone Records Limited Orchestra: Academy of St Martin in the Fields Conductor: Sir Neville Marriner Composer: Georges Bizet Auto-generated by YouTube.
Georges Bizet (25 October 1838 – 3 June 1875), registered at birth as Alexandre César Léopold Bizet, was a French composer of the romantic era. Best known for his operas in a career cut short by his early death, Bizet achieved few successes before his final work, Carmen, which has become one of the most popular and frequently performed works in the entire opera repertoire. Symphony in C Major (1855) 1. Allegro vivo 2. Andante. Adagio (10:52) 3. Allegro vivace (20:26) 4. Finale. Allegro vivace (25:55) Royal Concertgebouw Orchestra conducted by Bernhard Haitink The Symphony in C is an early work by the French composer Georges Bizet. According to Grove's Dictionary, the symphony "reveals an extraordinarily accomplished talent for a 17-year-old student, in melodic invention, thematic handling and orchestration." Bizet started work on the symphony on 29 October 1855, four days after turning 17, and finished it roughly a month later. It was written while he was studying at the Paris Conservatoire under the composer Charles Gounod, and was evidently a student assignment. Bizet showed no apparent interest in having it performed or published, and the piece was never played in his lifetime. He used certain material from the symphony in later works, however. There is no mention of the work in Bizet's letters, and it was unknown to his earlier biographers. His widow, Geneviève Halévy (1849–1926), gave the manuscript to Reynaldo Hahn, who left it along with other papers to the archives of the conservatory library, where it was found in 1933 by Jean Chantavoine. Soon thereafter, Bizet's first British biographer Douglas Charles Parker (1885–1970) showed the manuscript to the conductor Felix Weingartner, who led the first performance in Basel, Switzerland, on 26 February 1935. The symphony was immediately hailed as a youthful masterpiece on a par with Felix Mendelssohn's overture to A Midsummer Night's Dream, written at about the same age, and quickly became part of the standard Romantic repertoire. It received its first recording on 26 November 1937, by the London Philharmonic Orchestra under Walter Goehr.
Donald Johanos and New Zealand Symphony Orchestra For information about this work visit http://muswrite.blogspot.com/2011/10/bizet-symphony-in-c-major.html For information about other works visit Musical Musings at : http://muswrite.blogspot.com/
BIZET - Symphony in C (complete) AVI OSTROWSKY - Bilkent Symphony Orchestra 17.11.2007