Usual Name | Frédéric Chopin |
Alternative Spellings | Fryderyk Franciszek Chopin |
On Wikipedia | Frédéric_Chopin |
Dedicated pieces |
Robert Schumann: Kreisleriana, Op. 16 "Phantasien für das Pianoforte"
Claude Debussy: Etudes, L. 136 |
Title | Subname | Catalogue | Key | Year | Type |
---|---|---|---|---|---|
Ballade #1 | Op. 23 | G Minor | Ballade | ||
Ballade #2 | Op. 38 | F Major | Ballade | ||
Ballade #3 | Op. 47 | A-flat Major | Ballade | ||
Ballade #4 | Op. 52 | F Minor | Ballade | ||
Fantasia | Op. 49 | F Minor | Fantaisie | ||
Nocturne #1 | Op. 9 | B-flat Minor | Nocturne | ||
Nocturne #2 | Op. 9 | E-flat Major | Nocturne | ||
Nocturne #3 | Op. 9 | B Major | Nocturne | ||
Nocturne #1 | Op. 15 | F Major | Nocturne | ||
Nocturne #2 | Op. 15 | F-sharp Major | Nocturne | ||
Nocturne #1 | Op. 27 | C-sharp Minor | Nocturne | ||
Nocturne #2 | Op. 27 | D-flat Major | Nocturne | ||
Nocturne #1 | Op. 32 | B Major | Nocturne | ||
Nocturne #1 | Op. 37 | G Minor | Nocturne | ||
Nocturne #2 | Op. 37 | G Major | Nocturne | ||
Nocturne #1 | Op. 48 | C Minor | Nocturne | ||
Nocturne #2 | Op. 48 | F-sharp Major | Nocturne | ||
Nocturne #1 | Op. 55 | F Minor | Nocturne | ||
Nocturne #2 | Op. 55 | E-flat Major | Nocturne | ||
Nocturne #1 | Op. 62 | B Major | Nocturne | ||
Nocturne #2 | Op. 62 | E Major | Nocturne | ||
Nocturne #1 | Posthumous | Op. 72 | E Minor | Nocturne | |
Nocturne | Op. Posthumous | C-sharp Minor | Nocturne | ||
Nocturne | Op. Posthumous | C Minor | 1837 | Nocturne | |
Piano Sonata #2 | Funeral March | Op. 35 | B-flat Minor | Sonata | |
Piano Sonata #1 | Op. 4 | C Minor | Sonata | ||
Piano Sonata #3 | Op. 58 | B Minor | 1844 | Sonata | |
Tarentelle | Op. 43 | A-flat Major | Tarantella | ||
Etude #5 | Op. 10 | G-flat Major | Etude | ||
Etude #2 | Op. 25 | F Minor | Etude | ||
Etude #9 | Op. 25 | G-flat Major | Etude | ||
Etude #3 | Op. 10 | E Major | Etude | ||
Etude #4 | Op. 10 | C-sharp Minor | Etude | ||
Prélude | Op. 45 | C-sharp Minor | Prelude | ||
Etude #1 | Op. Posthumous | F Minor | Etude | ||
Etude #2 | Op. Posthumous | D-flat Major | Etude | ||
Etude #3 | Op. Posthumous | A-flat Major | Etude | ||
Prélude | Op. Posthumous | A-flat Major | Prelude | ||
Scherzo #2 | Op. 31 | B-flat Minor | Scherzo | ||
Piano concerto #1 | Op. 11 | E Minor | Concerto | ||
Piano concerto #2 | Op. 21 | F Minor | Concerto | ||
Mazurka #1 | Op. 6 | F-sharp Minor | 1830 | Mazurka | |
Mazurka #2 | Op. 6 | C-sharp Minor | 1830 | Mazurka | |
Mazurka #3 | Op. 6 | E Major | 1830 | Mazurka | |
Mazurka #4 | Op. 6 | E-flat Minor | 1830 | Mazurka | |
Mazurka #5 | Op. 7 | B-flat Major | 1831 | Mazurka | |
Mazurka #6 | Op. 7 | A-flat Major | 1831 | Mazurka | |
Mazurka #7 | Op. 7 | F Minor | 1831 | Mazurka | |
Mazurka #8 | Op. 7 | A Minor | 1831 | Mazurka | |
Mazurka #10 | Op. 17 | B-flat Major | 1833 | Mazurka | |
Mazurka #11 | Op. 17 | E Minor | 1833 | Mazurka | |
Mazurka #12 | Op. 17 | A-flat Major | 1833 | Mazurka | |
Mazurka #13 | Op. 17 | A Minor | 1833 | Mazurka | |
Mazurka #14 | Op. 24 | G Minor | 1835 | Mazurka | |
Mazurka #15 | Op. 24 | C Major | 1835 | Mazurka | |
Mazurka #16 | Op. 24 | A-flat Major | 1835 | Mazurka | |
Mazurka #17 | Op. 24 | B-flat Minor | 1835 | Mazurka | |
Mazurka #18 | Op. 30 | C Minor | 1837 | Mazurka | |
Mazurka #19 | Op. 30 | B Minor | 1837 | Mazurka | |
Mazurka #20 | Op. 30 | D-flat Major | 1837 | Mazurka | |
Mazurka #21 | Op. 30 | C-sharp Minor | 1837 | Mazurka | |
Mazurka #22 | Op. 33 | G-sharp Minor | 1838 | Mazurka | |
Mazurka #23 | Op. 33 | D Major | 1838 | Mazurka | |
Mazurka #24 | Op. 33 | C Major | 1838 | Mazurka | |
Mazurka #25 | Op. 33 | B Minor | 1838 | Mazurka | |
Mazurka #27 | Op. 41/2 | E Minor | 1838 | Mazurka | |
Mazurka #28 | Op. 41/3 | B Major | 1839 | Mazurka | |
Mazurka #29 | Op. 41/4 | A-flat Major | 1839 | Mazurka | |
Mazurka #30 | Op. 50 | G Major | 1842 | Mazurka | |
Mazurka #31 | Op. 50 | A-flat Major | 1842 | Mazurka | |
Mazurka #32 | Op. 50 | C-sharp Minor | 1842 | Mazurka | |
Mazurka #33 | Op. 56 | B Major | 1843 | Mazurka | |
Mazurka #34 | Op. 56 | C Major | 1843 | Mazurka | |
Mazurka #36 | Op. 59 | A Minor | 1845 | Mazurka | |
Mazurka #37 | Op. 59 | A-flat Major | 1845 | Mazurka | |
Mazurka #39 | Op. 63 | B Major | 1846 | Mazurka | |
Mazurka #40 | Op. 63 | F Minor | 1846 | Mazurka | |
Mazurka #41 | Op. 63 | C-sharp Minor | 1846 | Mazurka | |
Mazurka #42 | Op. 67/1 | G Major | 1835 | Mazurka | |
Mazurka #43 | Op. 67/2 | G Minor | 1849 | Mazurka | |
Mazurka #44 | Op. 67/3 | C Major | 1835 | Mazurka | |
Mazurka #45 | Op. 67/4 | A Minor | 1846 | Mazurka | |
Mazurka #46 | Op. 68/1 | C Major | 1829 | Mazurka | |
Mazurka #47 | Op. 68/2 | A Minor | 1827 | Mazurka | |
Mazurka #48 | Op. 68/3 | F Major | 1829 | Mazurka | |
Mazurka #49 | Op. 68/4 | F Minor | 1849 | Mazurka | |
Waltz #1 | Grande Valse | Op. 18 | E-flat Major | 1832 | Waltz |
Waltz #2 | Op. 34/1 | A-flat Major | 1835 | Waltz | |
Waltz #3 | Op. 34/2 | A Minor | 1834 | Waltz | |
Waltz #4 | Op. 34/3 | F Major | 1838 | Waltz | |
Waltz #5 | Grande Valse | Op. 42 | A-flat Major | 1840 | Waltz |
Waltz #6 | Minute Waltz | Op. 64/1 | D-flat Major | 1847 | Waltz |
Waltz #7 | Op. 64/2 | C-sharp Minor | 1847 | Waltz | |
Waltz #8 | Op. 64/3 | A-flat Major | 1847 | Waltz | |
Waltz #9 | Farewell / L'adieu | Op. 69/1 | A-flat Major | 1835 | Waltz |
Waltz #10 | Op. 69/2 | B Minor | 1829 | Waltz | |
Waltz #11 | Op. 70/1 | G-flat Major | 1832 | Waltz | |
Waltz #12 | Op. 70/2 | F Minor | 1841 | Waltz | |
Waltz #13 | Op. 70/3 | D-flat Major | 1829 | Waltz | |
Waltz #14 | E Minor | 1829 | Waltz | ||
Waltz #15 | E Major | 1830 | Waltz | ||
Waltz #16 | A-flat Major | 1830 | Waltz | ||
Waltz #17 | E-flat Major | 1830 | Waltz | ||
Waltz #18 | E-flat Major | 1840 | Waltz | ||
Waltz #19 | A Minor | 1849 | Waltz | ||
Waltz #20 | F-sharp Minor | 1838 | Waltz | ||
Barcarole | Op. 60 | F-sharp Minor | 1846 | Barcarolle | |
Rondo | Adieu à Varsovie (Farewell to Warsaw) | Op. 1 | C Minor | 1825 | Rondo |
Variations on "Là ci darem la mano" | Op. 2 | B-flat Major | 1827 | Theme and variations | |
Introduction and Polonaise brillante | Op. 3 | C Major | 1829 | Polonaise | |
Rondo à la mazur | Op. 5 | F Major | 1826 | Rondo | |
Piano Trio | Op. 8 | G Minor | 1829 | Piano Trio | |
Etude #1 | Op. 10 | C Major | 1829 | Etude | |
Etude #2 | Op. 10 | A Minor | 1829 | Etude | |
Etude #6 | Op. 10 | E-flat Minor | 1830 | Etude | |
Etude #7 | Op. 10 | C Major | 1832 | Etude | |
Etude #8 | "Sunshine" | Op. 10 | F Major | Etude | |
Etude #9 | Op. 10 | F Minor | 1829 | Etude | |
Etude #10 | Op. 10 | A-flat Major | Etude | ||
Etude #11 | Arpeggio-Study/Guitar-Study | Op. 10 | E-flat Major | Etude | |
Etude #12 | Revolutionary Étude/Étude on the Bombardment of Warsaw | Op. 10 | C Minor | 1831 | Etude |
Variations brillantes | Op. 12 | B-flat Major | Variations | ||
Fantasy on Polish Airs | Grande fantaisie/Fantaisie brillante | Op. 13 | A Major | 1830 | Fantasy (Fantasia) |
Rondo à la Krakowiak | Op. 14 | F Major | 1828 | Rondo | |
Rondo | E-flat Major | 1833 | Rondo | ||
Nocturne #3 | Op. 15 | G Minor | 1833 | Nocturne | |
Bolero | Op. 19 | 1833 | Bolero | ||
Scherzo #1 | Op. 20 | B Minor | Scherzo | ||
Andante spianato et grande polonaise brillante | Op. 22 | E-flat Major | 1834 | ||
Etude #1 | Aeolian Harp | Op. 25 | A-flat Major | 1836 | Etude |
Etude #3 | Op. 25 | F Major | 1836 | Etude | |
Etude #4 | Op. 25 | A Minor | Etude | ||
Etude #5 | Op. 25 | E Minor | 1837 | Etude | |
Etude #6 | Op. 25 | G-sharp Minor | Etude | ||
Etude #7 | Op. 25 | C-sharp Minor | 1834 | Etude | |
Etude #8 | Op. 25 | D-flat Major | Etude | ||
Etude #10 | Op. 25 | B Minor | 1835 | Etude | |
Etude #11 | Op. 25 | A Minor | 1836 | Etude | |
Etude #12 | Op. 25 | C Minor | Etude | ||
Polonaise #1 | Op. 26 | C-sharp Minor | 1835 | Polonaise | |
Polonaise #2 | Op. 26 | E-flat Minor | 1835 | Polonaise | |
Impromptu #1 | Op. 29 | A-flat Major | 1837 | Impromptu | |
Nocturne #2 | Op. 32 | A-flat Major | 1837 | Nocturne | |
Polonaises | Op. 71 | Polonaise | |||
Rondo | Op. 73 | C Major | 1828 | Rondo | |
Polish Songs | Op. 74 | Song(s) | |||
Fantaisie-impromptu | Op. 66 | C-sharp Minor | 1835 | Impromptu | |
Cello Sonata | Op. 65 | G Minor | 1846 | Sonata | |
Funeral March | Op. 72/2 | C Minor | 1829 | Marche | |
3 Ecossaises | Op. 72/3 | 1826 | Ecossaise | ||
Polonaise-Fantaisie | Op. 61 | A-flat Major | 1846 | Polonaise | |
Mazurka #38 | Op. 59 | F-sharp Minor | 1845 | Mazurka | |
Lullaby | Op. 57 | D-flat Major | 1844 | Lullaby | |
Scherzo #4 | Op. 54 | E Major | 1842 | Scherzo | |
Polonaise | Heroic Polonaise | Op. 53 | A-flat Major | 1842 | Polonaise |
Impromptu #3 | Op. 51 | G-flat Major | 1842 | Impromptu | |
Allegro de concert | Op. 46 | A Major | 1841 | Allegro | |
Polonaise | Op. 44 | F-sharp Minor | 1841 | Polonaise | |
Mazurka #26 | Op. 41/1 | C-sharp Minor | 1839 | Mazurka | |
Polonaise | Military Polonaise | Op. 40/1 | A Major | 1838 | Polonaise |
Polonaise | Op. 40/2 | C Minor | 1838 | Polonaise | |
Scherzo #3 | Op. 39 | C-sharp Minor | 1839 | Scherzo | |
Impromptu #2 | Op. 36 | F-sharp Major | 1839 | Impromptu | |
Mazurkas for Piano #4 | Op. 30 | C-sharp Minor | 1837 | Mazurka | |
Mazurkas #3 | Op. 33 | C Major | 1838 | Mazurka | |
Mazurkas #2 | Op. 33 | D Major | 1838 | Mazurka | |
Mazurkas #1 | Op. 33 | G-sharp Minor | 1838 | Mazurka | |
Polonaises #2 | Op. 40 | C Minor | 1839 | Polonaise | |
Nocturne for Piano #2 | Op. 9 | E-flat Major | 1831 | Nocturne | |
Nocturne for Piano #1 | Op. 9 | B-flat Minor | 1831 | Nocturne | |
Nocturne for Piano #3 | Op. 9 | B Major | 1831 | Nocturne | |
Etudes #5 | Black Keys | Op. 10 | G-flat Major | 1830 | Etude |
Mazurka for Piano #2 | Op. 24 | C Major | 1835 | Mazurka | |
Nocturnes for Piano #1 | Op. 27 | C-sharp Minor | 1836 | Nocturne | |
Barcarolle | Op. 60 | F-sharp Major | 1846 | Barcarolle | |
Prelude | B. 86 | A-flat Major | 1834 | Prelude | |
Mazurka #2 | Op. 17 | E Minor | 1833 | Mazurka | |
Nocturne | B. 49 | C-sharp Minor | 1830 | ||
Preludes | Op. 28 | 1839 | Prelude |
Lars Vogt playing an encore in Berlin after a performance of Beethoven Piano Concerto No. 3 with the Berliner Philharmoniker. Full concert performance available at http://dch.berliner-philharmoniker.de/.
Chopin Ballade No.1 in Gm Op.23 Vladimir Horowitz, 1965 This recording is live without any studio patchwork, and there are a few mistakes present. This selection is intentional.
Ballade No. 1, Op. 23 (Chopin, Frédéric) Find the sheet music here: http://imslp.org/wiki/Ballade_No.1,_Op.23_(Chopin,_Fr%C3%A9d%C3%A9ric) Welcome to Icy Violin, this channel is focused on classical music, mainly music from the Renaissance, Baroque, Classical, and Romantic Eras. Frequently asked questions: Q: Where do you find your sheet music? A: Most of the music can be found on either imslp.org or musopen.org Q: Can I request a piece? A: Yes! I will try to upload a video of any piece that is requested, given that it is both within my ability and in the public domain. Q: Why did you start this channel? A: I was introduced to classical music by my countless music teachers, each of whom allowed me to further appreciate classical music. When many of my friends told me that they had trouble finding free high quality recordings online, I decided to create "Icy Violin" as a database of the best public domain recordings that I have come across. Q: What does "Icy Violin" mean? A: This goes along with why I started the channel. My friends were unable to find what they wanted, even though I see ("icy") great recordings all the time. Since I played violin and "Icy Music" seemed to have been used by many people already, I chose "Icy Violin". Q: How can I support this channel? A: You don't have to do anything, I'm happy with you just watching my videos! However, I would greatly appreciate it if you liked and shared content that you like and subscribe for more!
The famous Ballade No. 1 in G minor, Op. 23 was composed by Frédéric Chopin in 1831. - - - - - Learn piano with the songs you love: http://tinyurl.com/pianoreader-flowkey (flowkey affiliate link) - - - - - I was introduced to this music from watching Szpilman's performance of it in the 2002 film, "The Pianist". (Performed by Polish classical pianist Janusz Olejniczak) More recently, this piece was played by Kousei the final episode of the anime series "Shigatsu wa Kimi no Uso" (Your Lie in April). - - - - - Make sure to subscribe for more Synthesia videos like this one!
Buy Tiffany's debut CD "Natural Beauty"! http://www.cdbaby.com/cd/tiffanypoon1 iTunes: https://itunes.apple.com/us/artist/tiffany-poon/id879633254?ign-mpt=uo%3D4 TIFFANY POON : https://www.facebook.com/tiffanypoonpianist Tiffany Poon, age 16, performs a solo recital in Salle Claude Champagne at Université de Montréal on Jan 19, 2013. This is one of the pieces she plays at the recital. To keep in touch with Tiffany and to stay up to date with her latest news, events and activities, "Like" her on Facebook: http://www.facebook.com/tiffanypoonpianist and follow her on Twitter: https://twitter.com/tiffanypianist Tiffany's official website: http://tiffanypoon.com
Wai-Ching Rachel Cheung II etap Wariacje B-dur op. 12 Wai-Ching Rachel Cheung Second stage Variations in B flat major, Op. 12 All rights reserved 2010 The Fryderyk Chopin Institute (NIFC), Polish Television (TVP), National Audiovisual Institute (NInA)
Chopin - Variations Brillantes Op.12 in B flat major
Jinsang Lee Joy of Music Festival, 13 Oct 2009 - City Hall, Hong Kong Piano: The replica 1836 "No.1" Piano, provided by Steinway at Tom Lee "The Steinway No.1 Piano (212 cm long) was built by Heinrich Engelhard Steinway in his small kitchen in Seesen, Germany in 1836 and it was his first piano and it was later named the "Kitchen piano". this instrument must have been the best piano at that time and it made a milestone in the history of piano design and a legend for Steinway & Sons in the piano construction over 170 years. The original one is now on display at the New York Metropolitan Museum of Art. In 2004 Heinrich Engelhard's great grandson, Henry Z.Steinway gave permission to the Belgian master piano builder and restorer, Chris Maene, to create an exact replica of the original Steinway No.1. Chris Maene adhered to the designs of the original. He created a replica which is authentic both technically and in terms of appearance. The replica made its debut when it appeared in a piano recital at Bruges Concert Hall in 2006." Frederic Chopin - Variations brillantes, Op.12 in B flat major "Chopin's Variations Brillantes Op.12 is based on the aria 'Je vends des scapulaires' from Ferdinand Herold's now forgotten comic opera 'Ludovic'. The work opens in a flourish with an elaborate introduction before the theme and variations proper. Typical of his earlier style which reflected much of the early Romantics, it is full of embellishments and generally frothily florid keyboard writing. Generally considered frivolous and superfluous by today's listeners, it nontheless represented a certain zeitgeist, one that established Chopin as the darling of Parisian salons." - From the CD "Hiller - Mendelssohn - Chopin: Making Music Among Friends" by The Alpha Omega Sound
Chopin's first nocturne op. 9 no. 1 in B flat minor played by Rubinstein. The Nocturnes, Op. 9 are a set of three nocturnes written by Frédéric Chopin between 1830 and 1832 and dedicated to Madame Camille Pleyel. The work was published in 1833. This nocturne has a rhythmic freedom that came to characterise Chopin's later work. The left hand has an unbroken sequence of quavers in simple arpeggios throughout the entire piece, while the right hand moves with freedom in patterns of eleven, twenty, and twenty-two notes. The opening section moves into a contrasting middle section, which flows back to the opening material in a transitional passage where the melody floats above seventeen consecutive bars of D-flat major chords. The reprise of the first section grows out of this and the nocturne concludes peacefully with a Picardy third.
My favourite part of Chopin. For full version: https://youtu.be/liTSRH4fix4
Frederic Francois Chopin Nocturne in b-flat minor Op. 9 No. 1 Performer: Allyson Crow Recorded in 2005 This is me playing a Nocturne by Chopin. I think I had been playing piano for about 1 1/2 years when this was recorded. This is one of my favorites, of course, I love all Chopin Nocturnes! Please feel free to leave constructive comments about the piece, composer, performer, or video. Thanks and enjoy! Allyson - beethovenof08 "The aim and final end of all music should be none other than the glory of God and the refreshment of the soul." - Johann Sebastian Bach
Yundi Li plays Chopin's Nocturne op.9 no.1 in B-flat Minor
Vladimir Ashkenazy, piano
A very tender recording.
Piano: Marian Pivka Be apart of my Facebook page! http://www.facebook.com/Blop888
One of the most iconic piano works, this is the longest among Chopin Op. 28 preludes. It is a stand-alone concert piece having an identifiable beginning, middle and concluding section unlike other preludes which are shorter. Pianist Marjan Kiepura researched a story that Frederic Chopin’s partner, the famous French female writer George Sand, noted in one of her writings that the middle dramatic section of this prelude was influenced by Chopin hearing the monks chanting, during their stay at a monastery in Valldemosa, Mallorca. But the monastery was abandoned. He heard the ”chanting” in his mind… and put it to music.
Narodowy Instytut Fryderyka Chopina/ The Fryderyk Chopin Institute All rights reserved 2015 The Fryderyk Chopin Institute, Polish Television TVP Zapraszamy do śledzenia transmisji z Konkursu na kanale/ Broadcasts from the Competition can be followed on the Chopin Institute's YouTube channel: http://youtube.com/chopin2015 Oficjalna strona Konkursu/ The official Competition website: http://chopincompetition2015.com Oficjalna aplikacja iOS/ The official iOS app: https://appsto.re/pl/jBvv6.i Oficjalna aplikacja Android/ The official Android app: http://goo.gl/u93t9T Subscribe: http://www.youtube.com/channel/UCSTXol20Q01Uj-U5Yp3IqFg?sub_confirmation=1
Scherzo No. 2, Op. 31 Arthur Rubinstein, piano The Scherzo No. 2 in B-Flat Minor, Op. 31 is a scherzo by Frédéric Chopin. The work was composed and published in 1837, and was dedicated to Countess Adele Fürstensein. Schumann compared this scherzo to a Byronic poem, "so overflowing with tenderness, boldness, love and contempt." According to Wilhelm von Lenz, a pupil of Chopin, the composer said that the renowned sotto voce opening was a question and the second phrase the answer: "For Chopin it was never questioning enough, never soft enough, never vaulted (tombe) enough. It must be a charnel-house." The melody, marked "con anima," is repeated three times during the lengthy proceedings, the last time bringing us to the coda in a magnificent key change. The gorgeous melody overlies a six-note-per-measure left-hand accompaniment of exceeding richness. The trio, filled with longing, takes on a pianistic complexity. Huneker exults, "What masterly writing, and it lies in the very heart of the piano! A hundred generations may not improve on these pages." The scherzo is in sonata form. The beginning is marked Presto and opens in B flat minor. However, most of the work is written in D flat major and A major. The opening to the piece consists of two arpeggiated pianissimo chords, and after a moment's pause, goes into a set of fortissimo chords, before returning to the quiet arpeggiated chords. Frederic Chopin (1810 - 1849)
Piano recital by Olga Jegunova - http://www.jegunova.com/ Bishopsgate Institute (London), October 2012. Chopin: Scherzo No. 2 in B flat minor Op. 31 Multimedia engineer - Boris Bizjak http://www.borisbizjak.com/#!hedone
Frédéric Chopin: Scherzo No. 2 in B-flat minor, Op. 31 Piano: Konstantin Bogino Venue: Piano Festival 2009 Sheet music on request.
As requested. Sorry if some of the hand colors are incorrect, this was a confusing one to split. - - - - - Learn piano with the songs you love: http://tinyurl.com/pianoreader-flowkey (flowkey affiliate link) - - - - - Make sure to subscribe for more Synthesia videos like this one!
Israel Philharmonic Orchestra 75th Anniversary Watch the full concert: https://goo.gl/sFLe5A Evgeny Kissin - piano Frédéric Chopin - Scherzo, No. 2, op. 31 Click here to watch the concert on the occasion of the 60th Anniversary: https://goo.gl/irpzKZ Subscribe to EuroArts: https://goo.gl/jrui3M On 24th December 2011, the Israel Philharmonic Orchestra, one of the best orchestras in the world today, celebrated its 75th Anniversary with a concert conducted by Zubin Mehta in Tel Aviv (Hangar 11). They were joined by the internationally-renowned soloists Julian Rachlin, Evgeny Kissin and Vadim Repin in a spectacular program of Saint-Saens, Bach, Chopin, Chausson and Beethoven.
Vladimir Ashkenazy, piano No.1 4:49
Grand Waltz Brilliante E Flat major op. 18 https://music.apple.com/ru/album/chopin-recital/1495167562?l=en
Arthur Rubinstein (January 28, 1887 -- December 20, 1982) was a Polish-American classical pianist who received international acclaim for his performances of the music written by a variety of composers; many regard him as the greatest Chopin interpreter of his time. He is widely considered one of the greatest classical pianists of the twentieth century... http://en.wikipedia.org/wiki/Arthur_Rubinstein A link to this wonderful artists personal Website: http://www.arims.org.il/artist.htm Please Enjoy! I send my kind and warm regards,
Martin Leung performs Chopin Waltz in E-flat Major, Op. 18 at his Doctor of Musical Arts graduation recital at the University of Southern California. Martin Leung, piano videogamepianist.com twitter.com/vidgamepianist facebook.com/martinleungmusic Louis Ng, audio engineer louisng.net
Watch the full marathon at http://wqxr.org/chopinmarathon The piano music of Frederic Chopin stands as one of the greatest achievements in classical music — more than 200 compositions in total, many of them among the most well-known and beloved works of all time. With this archived webcast of WQXR's all-day marathon on June 4, you can immerse yourself in the magic and poetry of Chopin. More than 10 hours of his solo piano pieces — waltzes, polonaises, mazurkas, nocturnes, scherzos and more — are available, performed by today’s brightest piano virtuosos. WQXR’s Elliott Forrest and Terrance McKnight host. Watch the entire event or enjoy your favorite pieces by clicking on the archived video below. Share your thoughts on Twitter and Instagram using #ChopinMarathon.
Waltz no. 7 in C sharp minor Opus 64 no. 2 Frederic Chopin Performed by Philippe Entremont
Teatro La Fenice - Musikàmera (stagione di musica da camera alla Fenice 2016/ 2017) Yuja Wang in recital
Arthur Rubinstein (January 28, 1887 -- December 20, 1982) was a Polish-American classical pianist who received international acclaim for his performances of the music written by a variety of composers; many regard him as the greatest Chopin interpreter of his time. He is widely considered one of the greatest classical pianists of the twentieth century... http://en.wikipedia.org/wiki/Arthur_Rubinstein A link to this wonderful artists personal Website: http://www.arims.org.il/artist.htm Please Enjoy! I send my kind and warm regards,
Now available on itunes! https://music.apple.com/ca/album/chopin-recital/1495167562
Chopin’s second piano concerto is more conventional than his first. The opening Maestoso movement of the piece is modeled on the concertos of Mozart's pupil, Hummel. The central Larghetto is similarly inspired by the Piano Concerto in G minor composed in 1820 by Ignaz Moscheles, but the closing Allegro vivace is original, a stylized Polish folk song. Within the movements, all the standard concerto principles are obeyed: an orchestra exposition of the main themes before a piano exposition of the same material, the usual contrast between the tonic minor and the relative major for the principal and subordinate themes, a lyrical slow movement in the relative minor, and a rondo-form finale in the tonic major. Despite its conventional structure, Chopin's piano writing is idiomatic and highly personal – the lyrical melodies and their ornamentations could have been composed by no one else. Chopin’s piano concertos are often criticized for orchestral writing that is at best competent. This, however, is less a fault than a decision: Chopin, the greatest composer for the piano of his age, would never let anything obscure the brilliance of his piano writing. The second piano concerto was actually written before the first, but was designated “No. 2” as it was published second. 0:00 - Maestoso 15:37 - Larghetto 26:42 - Allegro vivace Performed with the Polish Festival Orchestra, conducted by Zimerman
Frédéric Chopin Piano Concerto No.2 in F minor Op.21 1. Maestoso 0:00 2. Larghetto 14:23 3. Allegro vivace 24:01
Best Piano Concertos Frédéric Chopin - Piano Concerto No. 2 in F minor Op. 21 1. Maestoso 00:00 2. Larghetto 15:15 3. Allegro vivace 24:26 performed by Sunhwa Kim - piano I.J. Paderewski State Philharmonic Orchestra Marek Pijarowski - conductor The IX International Paderewski Piano Competition, Bydgoszcz, Poland November 3rd - 17th, 2013 The Competition is organized to commemorate Ignacy Jan Paderewski, a remarkable pianist, virtuoso, composer, politician and statesman. The Competition is organized by : - the I. J. Paderewski Music Association, with the co-participation of: - the Ministry of Culture and National Heritage, - the Marshal’s Office of the Kuyavian and Pomeranian Province of Bydgoszcz - the Bydgoszcz City Hall Partners: - The F. Nowowiejski Music Academy - The I. J. Paderewski Philharmonic Hall in Bydgoszcz The Competition auditions shall be open to the public and shall take place in the concert halls of the Music Academy and the Pomeranian Philharmonic Hall in Bydgoszcz. The Competition is open to pianists of all nationalities, born between 1981 and 1997. --- Subscribe https://www.youtube.com/channel/UCS_tV06lrXa-yLDZaFTLSrg/feed?sub_confirmation=1
Support us on Patreon and get more content: https://www.patreon.com/classicalvault --- Frédéric Chopin Piano Concerto No 2 in F minor, Op 21 1 Maestoso 2 Larghetto 3 Allegro vivace Arthur Rubinstein, piano London Symphony Orchestra André Previn, conductor
Etude no. 12 in C minor Opus 10 no. 12 "Revolutionary" Frederic Chopin Performed by Philippe Entremont
Fryderyk Chopin - Etude in C minor op.10 no.12 "Revolutionary" (Fall of Warsaw) 1831. Pictures are: the battle of Ostrolenka and the battle's general: Józef Bem. The last picture is "The fall of Warsaw".
Watch the full marathon at http://wqxr.org/chopinmarathon The piano music of Frederic Chopin stands as one of the greatest achievements in classical music — more than 200 compositions in total, many of them among the most well-known and beloved works of all time. With this archived webcast of WQXR's all-day marathon on June 4, you can immerse yourself in the magic and poetry of Chopin. More than 10 hours of his solo piano pieces — waltzes, polonaises, mazurkas, nocturnes, scherzos and more — are available, performed by today’s brightest piano virtuosos. WQXR’s Elliott Forrest and Terrance McKnight host. Watch the entire event or enjoy your favorite pieces by clicking on the archived video below. Share your thoughts on Twitter and Instagram using #ChopinMarathon.
Chopin Étude Op. 10, No. 12 in C minor, known as the Revolutionary Étude or the Étude on the Bombardment of Warsaw, is a solo piano work by Frédéric Chopin written in 1831, and the last in his first set, Etudes Op.10, dedicated "à son ami Franz Liszt" ("to his friend Franz Liszt"). The 12th Étude appeared around the same time as the November Uprising in 1831. Chopin poured his emotions on the matter into many pieces that he composed at that time, the "Revolutionary Étude" standing out as the most notable example. Upon conclusion of Poland's failed revolution against Russia, he cried "All this has caused me much pain. Who could have foreseen it!" Unlike études of prior periods (works designed to emphasize and develop particular aspects of musical technique), the romantic études of composers such as Chopin and Liszt are fully developed musical concert pieces, but still continue to represent a goal of developing stronger technique. - You can support the channel by buying me a coffee here :) : PayPal: https://paypal.me/stanislavstanchev Patreon: https://www.patreon.com/realstanchev Best of Chopin: https://www.youtube.com/playlist?list=PL-gMUZOrx5epkR1GTe-Sje3zVn97FNRTH More Classical Music: https://www.youtube.com/playlist?list=PL-gMUZOrx5er99FxbV-aBss5kHUFCZkfa If you like the video subscribe for my channel to keep up with my latest work! :) Thanks for watching! #Chopin #Etude #Revolutionary
Provided to YouTube by Quimbaya Entretenimiento SAS Piano Concerto, Op. 11: No 1, E minor - II. Romanza Larghetto · National Philharmonic Symphony Orchestra · Witold Rowicki · Halina Czerny-Stefańska (piano) Masterpiece: Water Music ℗ Quimbaya Entretenimiento S.A.S. Released on: 2017-12-14 Orchestra: National Philharmonic Symphony Orchestra Conductor: Witold Rowicki Soloist: Halina Czerny-Stefańska (piano) Composer: Fryderyk Chopin Lyricist: Fryderyk Chopin Auto-generated by YouTube.