Polyeucte (French pronunciation: [pɔliœkt]) is an opéra by Charles Gounod based on the play about Saint Polyeuctus by Pierre Corneille. The libretto by Jules Barbier and Michel Carré is more faithful to its source than Les martyrs, Scribe's adaptation for Donizetti, and Gounod hoped to express "the unknown and irresistible powers that Christianity has spread among humanity". The subject had occupied Gounod for some ten years. An initial delay was caused by a fire which destroyed the theatre of the Paris Opéra, the Salle Le Peletier, in October 1873. Further delay came about because the first draft remained in the hands of the jealous Georgina Weldon when Gounod left England in 1874 to return to Paris. He had to resort to a lawsuit before resigning himself to recomposing the work from memory, although towards the end of that endeavor, Weldon did return it.
Librettist | Jules Barbier; Michel Carré (based on the play about Saint Polyeuctus by Pierre Corneille) |
Premiered | 1878, October 7th (Palais Garnier) in Paris, France |
Type | Opera |
Spoken language | French |
Instruments |
Voice (Tenor)
- Polyeucte, an Armenian noble, son-in-law to Félix
Voice (Baritone) - Sévère (Severus), a Roman Knight, favourite of the Emperor Decius Voice (Bass) - Félix, Governor of Armenia Voice (Baritone) - Néarque (Nearchus), an Armenian noble, friend to Polyeucte Voice (Bass) - Albin, friend to Félix Voice (Bass) - Siméon, an aged Christian Voice (Tenor) - Sextus, a young patrician Voice (Bass) - A centurion Voice (Soprano) - Pauline, daughter to Félix, wife to Polyeucte Voice (Mezzo-Soprano) - Stratonice, companion to Pauline Chorus/Choir - Guards, Roman soldiers, priests, Christians, ladies-in-waiting, servants, populace Orchestra |
Autotranslations beta |
Charles Gounod: Polyeucte Charles Gounod: Polyeucte Charles Gounod: Polyeucte |