Even though Shostakovich was a prominent pianist, he is well known in the chamber music field for his string quartets, together with Schoenberg and Bartók. In this quartet, Shostakovich portrays his fears with dark and grim moods. The quartet begins with a violin which introduces the main theme; this will be developed all along the quartet, with the rest of the group accompanying it somewhat subtly. It is immediately followed by the second movement which suggests a more sinister atmosphere with its mechanical and repetitive conception, always with a dialogue in two voices and adorned with glissandi; this movement is in a structure similar to that of a canon. The second movement leads to the dissonant beginning of the third, which jolts the whole quartet into a series of fast notes and long, dissonant chords. The fourth movement and the fifth form a diptych in which fast melodies and repetitive motions are present. In the fourth, the first violin plays fast notes while the rest of the group plays menacing chords; in the fifth, the ostinato in the first violin simplifies the motion presented in the previous movement.

Date of composition 1966
Dedicated to Dedicated to Vasily Shirinsky, veteran second violin of Beethoven Quartet
Type String Quartet
Tonality F Minor
Catalogue Op. 122
Approx. duration 16 minutes
Instruments String Quartet
Autotranslations beta Dmitri Chostakovitch: Quatuor à cordes n°11 en fa mineur, Op. 122
Dmitrij Šostakovič: Quartetto d'archi n. 11 in fa minore, Op. 122
Dmitri Dmitrijewitsch Schostakowitsch: Streichquartett Nr. 11 f-moll, Op. 122