Barber composed Music for a Scene from Shelley during a visit to Italy in the summer of 1933. It was inspired in part by the view of Lake Lugano and the Swiss Alps from Cadegliano, where Barber was staying with Gian Carlo Menotti at his family's villa. It is the only one of Barber's compositions that owes its origin to the influence of a place (Broder 1954, 24; Heyman 1992, 70–71, 124). However, it is also based on and owes its title to lines from act 2, scene 5 of Percy Bysshe Shelley's Prometheus Unbound, in which Panthea prompts her sister Asia (goddess of love) to hear "voices in the air", seeking Asia's sympathy and love (Broder 1954, 88; Simmons 2004, 270). The work was premiered in Carnegie Hall in New York, on March 24, 1935, by the New York Philharmonic-Symphony Orchestra, conducted by Werner Janssen. Further performances quickly followed, in Europe as well as the United States, though it has never achieved the popularity of some of Barber’s other early orchestral works (Heyman 1992, 77; Simmons 2004, 271). In 1935, Barber was awarded the Prix de Rome of the American Academy in Rome together with a Pulitzer travelling award, for this composition and the Sonata for Cello and Piano. The Rome Prize, announced on NBC Radio on May 9 as part of a broadcast concert of his music including both works, enabled him to return to Italy where he would compose his First Symphony (Heyman 1992, 123; Pleasants 1935).

Date of composition 1933 in Italy
Premiered 1935, March 24th (Carnegie Hall) in New York, NY, United States
Type Poem
Catalogue Op. 7
Instruments Orchestra
Autotranslations beta Samuel Barber: Music for a Scene from Shelley, Op. 7
Samuel Barber: Music for a Scene from Shelley, Op. 7
Samuel Barber: Music for a Scene from Shelley, Op. 7