Violin Sonata No.10 in G major, Op. 96

The final movement was written with Pierre Rode's style in mind. Shortly before completing the work, Beethoven wrote to the Archduke Rudolph “… I did not make great haste in the last movement for the sake of mere punctuality, the more because, in writing it, I had to consider the playing of Rode. In our finales we like rushing and resounding passages, but this does not please R and — this hinders me somewhat.” As a result, the finale was a set of seven variations and a short coda on a cheerful theme.