Symphony No.3

It shares an intensity similar to the First Symphony, but unlike that work has a more traditional form, and contains no direct quotations. Nonetheless, the influence of many composers hangs over the piece (Richard Taruskin called the opening of the work "Wagner's Rheingold prelude, cubed and cubed again." ), not merely stylistically but in Schnittke's repeated use of composers' initials. These include Bach, Handel, Mozart, Schoenberg, Stockhausen and Hans Werner Henze. Further use is made of transposed words later in the work: in the third movement the word "das Böse" ("the Evil") appears as an eight-note tone row (D, A, E flat, A flat, B flat, E, E flat, E), with the B-A-C-H monogram dominating the final movement.