They are very different from the trio sonatas in the Italian manner (such as those of Corelli), where the harpsichord is only providing the role of a continuo bass. In Rameau's works, the harpsichord is at the heart of the ensemble, playing a fully written-out obbligato part with virtuosity, with the accompaniment falling to the violin and viola da gamba. Rameau provided for differing instrumental combinations: the flute can replace the violin and a second violin can replace the viola da gamba. It is possible to compare these works with the violin sonatas of Johann Sebastian Bach,[citation needed] written earlier, around 1720, in which the melodic material is shared equally between the violin and harpsichord and the harpsichord part is obbligato nearly throughout.
Date of composition | 1741 (or before) |
First published | 1741 in Paris, France |
Type | Concert |
Tonality | C Minor |
Approx. duration | 10 minutes |
Detail | in: "Pièces de clavecin en Concerts" |
Instruments |
Harpsichord
Violin Viola da gamba |
Autotranslations beta |
Jean-Philippe Rameau: Concert n°1 en do mineur "Premier Concert" Jean-Philippe Rameau: Concert n. 1 in do minore "Premier Concert" Jean-Philippe Rameau: Concert Nr. 1 c-moll "Premier Concert" |