A Masked Ball "Melodramma lirico in tre atti"

It was to take over two years between the time of the commission from Naples and planned for a production there and its premiere performance at the Teatro Apollo in Rome on 17 February 1859. In order to become the Un ballo in maschera which we know today, Verdi's opera (and his libretto) was forced to undergo a significant series of transformations and title changes. Based on the Scribe libretto and begun as Gustavo III set in Sweden, it became Una vendetta in dominò set in Germany, and finally Un ballo, set not in Sweden but in Boston, Massachusetts during the colonial era. These changes were caused by a combination of censorship regulations in both Naples and Rome, as well as by the political situation in France in January 1858. It became one of the most frustrating experiences of Verdi's career.