Victory of the 2010 Music for his recording of piano works by Mendelssohn on a Broadwood of 1840 and pioneer of a historically informed approach on period instruments (Liszt / Erard in 1986, Chopin / Pleyel in 1992, Beethoven / Schanz in 2003 ...), Cyril Huvé immediately felt the desire to feed on the many forms adopted by the piano and to question the meaning of the works through keyboards that history has offered to the imagination of composers. This approach to interpretation was formed during his years of study with Claudio Arrau: the Chilean pianist, himself a pupil of a student of Liszt, will transmit to him over the years an essential heritage and will see in him "One of the best continuators".
His latest album, "Opus 102", has just been released by Evidence Classic: If Opus 102 is both the name of the piano and that of Cyril Huvé's new record, it is because he proposes a program recital particularly suited to the potential of this piano of the future designed in 2015 by Stephen Paulello. ( Liszt Sonata , Debussy, Scriabin)
Cyril Huvé has appeared in numerous festivals in France - Montpellier, La Chaise-Dieu, Clisson, Piano in Valois, Aix-en-Provence, The Romantic Nights of Rayol ... - in Europe - London, Oxford, Prague, Czechoslovakia, Georgia, at the Piano Nights of Moldavia, Japan, South America - Bolivia, Mexico, Chile, Brazil - He has played as a soloist with orchestras such as the Dresden Staatskapelle conducted by Hans Vonk, The Orchestra of the Age of Enlightenment with Sir Roger Norrington, the Liège Philharmonic Orchestra under the direction of Pierre Bartholomée, the Île de France Orchestra conducted by Pierre Dervaux, the musicians of the Orchester National de France under the direction of Didier Benetti, Paris Mozart Orchestra with Claire Gibault, the Pelleas Orchestra and Benjamin Levy.He frequently accompanies baritone François Le Roux and many singers or chamber musicians.
First holder of a piano class at the Dijon Conservatory, Cyril Huvé then taught for a long time as assistant to Gérard Frémy's class at CNSM in Paris. He is currently involved with students of the CNSM piano classes for a cycle of interpretation courses on the instruments of the Museum of Music, "the piano over time". Cyril Huvé was trained by pianist André Krust before joining Dominique Merlet and Jeannine Vieuxtemps at the Conservatoire de Paris, then benefiting from Gÿorgÿ Cziffra's teaching at his Foundation. He had also studied Classics in Khâgne and passed a degree in Philosophy at the University of Nanterre. He created and produced an archive program of the interpretation on France-Musique, the "Old Waxes",
Cyril Huvé gathered in Berry, in the George Sand Country, his collection of historical pianos in the Grange aux Pianos where he conducts research seminars, master classes and chamber music concerts. His recordings were hailed by the critics who awarded him a World Music Clash for Paraphrases on Liszt's Verdi and a Clash of Classica for his album Mendelssohn. His first CD, an anthology Busoni at Erato has just been re-edited, and his discography also includes Chopin's Ballades and Scherzi on pianoforte Pleyel and Erard (EMI), Trios for violin, horn and piano by Brahms and Ligeti with André Cazalet and Guy Comentale, the 10 Sonatas for violin and fortepianoof Beethoven with Jorja Fleezanis, the Complete Liszt lieder, where he accompanies five singers: the soprano Donna Brown, the mezzo Gabriele Schrekenbach, the tenors Ernst Haefliger and Guy de Mey, the baritone Philippe Huttenlocher - or the Album d ' a Traveler and the Notebooks of a pilgrim of Liszt, as well as the Romantic Melodramas of Schubert, Schumann and Liszt with the comedian Daniel Mesguich.
He translated and prefaced in the company of Didier Alluard the Paths to the New Music by Anton Webern (Editions Lattès) or dialogued with Pierre Bourdieu (in Questions of Sociology , Editions de Minuit). A chapter is devoted to him in the anthology of Catherine Lechner-Reydellet, the French School of Piano (Editions Aedam musicae 2015).
Source: Official Website
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