Using the analogy of butterflies attracted to a flame, and the story of Daedalus (who constructed wings made from wax and feathers for himself and his son Icarus), Pamphili uses the cantata to issue a warning to his audience: that the phoenix can rise from the flames, however the butterflies will be killed. It is possible that the cardinal was also directing the warning specifically to Handel, as there was a rumour at the time about a relationship between Handel (then twenty-two) and the singer Vittoria Tarquini (who was the mistress of Prince Ferdinand de' Medici of Florence).
Librettist | Benedetto Pamphili |
Date of composition | 1708 (1707-1708) in Rome, Metropolitan City of Rome, Italy |
Type | Cantata |
Catalogue | HWV 170 |
Spoken language | Italian |
Instruments |
Voice (Soprano)
2x Recorder - or oboes 2x Violin Viola da gamba Continuo |
Links | |
Autotranslations beta |
Georg Friedrich Haendel: Tra le fiamme (Il consiglio), HWV 170 Georg Friedrich Händel: Tra le fiamme (Il consiglio), HWV 170 Georg Friedrich Händel: Tra le fiamme (Il consiglio), HWV 170 |