An unknown librettist drew mainly from Psalm 146 and from Jakob Ebert's hymn "Du Friedefürst, Herr Jesu Christ" to develop seven movements, supplying only two of the movements himself. The text assembly is similar to Bach's early cantatas. Bach's authorship is doubted because the cantata has several features unusual for Bach's later cantatas: it is the only Bach cantata to combine three corni da caccia with timpani. The cantata is in seven movements which combine the three major text sources: psalm, hymn and contemporary poetry. The opening chorus is based on a psalm verse, followed by the first hymn stanza and another psalm verse as a recitative. An aria on poetry is followed by a third psalm verse as an aria. It is followed by another aria on poetry, which simultaneously quotes the hymn tune instrumentally. The last movement combines elements of a chorale fantasia on the third stanza of the hymn, with vivid counterpoint of "Hallelujah" which closes the psalm.
Librettist | Psalm CXLVI:1, 5, 10 (Nos.1, 3, 5) Jakob Ebert (Nos.2, 7) Anonymous (Nos.4, 6) (Bach's authorship uncertain) |
Date of composition | 1714 (1708-1714) |
First published | 1884 (BGA) |
Dedicated to | Christ's Circumcision (New Year's Day) |
Type | Sacred Cantata |
Tonality | B-flat Major |
Catalogue | BWV 143 |
Instruments |
3x
Voice
Chorus/Choir Orchestra |
Links | |
Autotranslations beta |
Jean-Sébastien Bach: Lobe den Herrn, meine Seele en si bémol majeur, BWV 143 Johann Sebastian Bach: Lobe den Herrn, meine Seele in si bemolle maggiore, BWV 143 Johann Sebastian Bach: Lobe den Herrn, meine Seele B-dur, BWV 143 |